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Moi Et Mes Amis. Confidences Recueillies Par Stéphane Audel, Etc. [With Portraits.].
  • Language: en
Lettre de Stéphane Audel à Francis Poulenc, 29 janvier 1957
  • Language: fr
  • Pages: 2

Lettre de Stéphane Audel à Francis Poulenc, 29 janvier 1957

  • Type: Book
  • -
  • Published: 1957
  • -
  • Publisher: Unknown

None

My Friends and Myself
  • Language: en
  • Pages: 170

My Friends and Myself

  • Type: Book
  • -
  • Published: 1978
  • -
  • Publisher: Unknown

None

The Orchestration of the Arts — A Creative Symbiosis of Existential Powers
  • Language: en
  • Pages: 477

The Orchestration of the Arts — A Creative Symbiosis of Existential Powers

Regardless of the subject matter, our studies are always searching for a sense of the universal in the specific. Drawing, etchings and paintings are a way of communicating ideas and emotions. The key word here is to communicate. Whether the audience sees the work as laborious or poetic depends on the creative genius of the artist. Some painters use the play of light passing through a landscape or washing over a figure to create an evocative moment that will be both timeless and transitory. The essential role of art remains what is has always been, a way of human expression. This is the role that our participants concentrate on as they discuss art as the expression of the spirit, a creative a...

Moi et mes amis ; confidences recueillies par Stéphane Audel avec 12 illustrations hors texte
  • Language: fr
  • Pages: 198
Manuel de Falla: His life & Works
  • Language: en
  • Pages: 464

Manuel de Falla: His life & Works

Manuel de Falla's music perfectly reflected the full-blooded passion and intellectual aspirations of early 20th century Spanish culture. His personal life seemed to echo the spirit of his times and the broad range of his music. From his sensual treatment of Andalusian folk themes to the neoclassical compositions of his later years, de Falla always brought a fierce level of intensity to everything he undertook. This book explores de Falla's life in music in a highly original way. A compelling mix of intimate correspondence, original criticism, rare manuscripts and revealing photographs, it forms a biographical mosaic rich in musical detail and personal insights. A uniquely candid portrait of one of the 20th century's greatest composers. Approved by the Spanish Ministry of Culture. Ed. Gonzolo Armero and Jorge de Persia.

The Composer As Intellectual
  • Language: en
  • Pages: 488

The Composer As Intellectual

In The Composer as Intellectual, musicologist Jane Fulcher reveals the extent to which leading French composers between the World Wars were not only aware of but also engaged intellectually and creatively with the central political and ideological issues of the period. Employing recent sociological and historical insights, she demonstrates the extent to which composers, particularly those in Paris since the Dreyfus Affair, considered themselves and were considered to be intellectuals, and interacted closely with intellectuals in other fields. Their consciousness raised by the First World War and the xenophobic nationalism of official culture, some joined parties or movements, allying themsel...

Poulenc
  • Language: en
  • Pages: 403

Poulenc

An authoritative account of the life and work of Francis Poulenc, one of the most prolific and striking figures in twentieth-century classical music Francis Poulenc is a key figure in twentieth-century classical music, as well as an unorthodox and striking individual. Roger Nichols draws upon Poulenc's music and other primary sources to write an authoritative life of this great artist. Although associated with five other French composers in what came to be called “Les Six”, Poulenc was very much sui generis in personality and in his music, where he excelled over a wide repertoire—opera, songs, ballet scores, chamber works, piano pieces, sacred and secular choral works, orchestral works and concertos. This book fully covers this wide range, while also describing the vicissitudes of Poulenc's life and the many important relationships he had with major figures such as Satie, Ravel, Stravinsky, Diaghilev, Cocteau and others.