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To Save Me From Following In The Footsteps Of My Older Brothers Who Had Taken The Road To The Next World, It Was Decided . . . To Sell Me As Soon As I Was Born. No Part Of The Money That Was The Price Of My Life Fell To My Share. All I Got Was The Name Pinned On Me Like A Badge, Which Indicated My Sold Status Bechan. Pandey Bechan Sharma Ugra S Memoir, Apni Khabar, Is Considered To Be The First Autobiography Written In Modern Hindi That Displays A Striking Originality In Its Tone And Style. It Marked A Radical Departure From The Established Autobiographical And Biographical Conventions Of Its Time, And Is Now Regarded As An Example Of A New Genre Of Writing Because Of Its Intrinsic Modernity...
This in-depth study of the classical Hindi tradition brings the world of Mughal-era poetry and court culture alive for an English readership. Allison Busch draws on the perspectives of literary, social, and intellectual history to elucidate one of premodern India's most significant textual traditions, documenting the dramatic rise of a new type of professional Hindi writer while providing critical insight into the motives that animated this literary community and its patrons.Busch examines how riti literature served as an important aesthetic and political resource in the richly multicultural world of Mughal India, and provides, for the first time in a Western language, a detailed study of th...
“Honesty is your biggest strength and Dignity your strongest defence.” Those are the simple yet profound words of an IAS officer who, from a humble background, rose to the highest echelons of the Government of India with a relentless focus on establishing the highest standards of ethical governance and moral rectitude. Devinder Singh Bagga was a man who believed that the administrative service is a tapasya—a self-effacing occupation to serve the masses. In his memoirs spanning thirty-seven years, he endeavours to narrate an administrator’s struggle to exercise administrative rectitude and probity while he navigated choppy waters with no patronage or protection. He held coveted positi...
Raja Rao, one of the founding figures of Indian English literature, is re-examined in this comprehensive study of his fiction, which offers a fresh critical investigation into both his short stories and his novels. Powerfully contradicting the long-held perception of Raja Rao as a mere metaphysical writer and the true bard of quintessential Indianness, projected by many critics of the first Commonwealth generation over three decades, Stefano Mercanti posits Rao's fiction in terms of its dialogic interaction - the 'partnership' - between Western and Eastern cultural traditions and demonstrates how it evolves during the course of his oeuvre on both the philosophical and the political level. Th...
This volume offers a novel approach to the world of adaptations through an intense cross-cultural study. The concept of ‘adaptation’ is extensively discussed here, exploring its meaning and relevance, as well as the various forms it takes. The book investigates what happens when three 20th century European plays, considered as landmark works of the age, are adapted to the Indian context in three different languages; discussing the dynamics and the results of this. It takes us into the minds of the creators – playwrights, adapters, directors, actors, and producers, and ‘others’. The interviews with directors who suffused the western plays with Indian flavor and served them to the local audience also provide valuable insights about theatrical, cultural, and ideological concerns. It also represents an interesting collection of examples and analogies hand-picked from the wide space of literature, theatre, and cinema. It offers a comprehensive base for a thorough understanding of adaptations and the allied multi-disciplinary issues.
Challenges the monolithic view of Hindusim in the nineteenth century, and instead offers a vision of India that contains a rich multiplicity of Hinduisms, womens stories, and cultural histories. In her introduction to Hindu Pastswhich showcases her work as a scholar of social, literary, and religious historyVasudha Dalmia outlines the central ideas which thread her writings: first, to understand in greater historical depth the relationship between body language, religion, and society in India, as well as the ever-changing role of its religious and social institutions; second, to recognize that the Hindu tradition, which colonials and nationalists tend to see as monolithic, is in fact a multiplicity of distinct and semi-autonomous strands.
The present collection of essays endeavours to furnish informed responses to central questions posed by the editors: Is the fact that the marvellous coexists with the factual and never resolves itself into the supernatural an indication that the whole literary project of 'magical realism' is an instrumental and representational form which can be regarded as particularly suitable for reconciling dichotomies and oppositions otherwise experienced as intolerable? Was 'magical realism' an explosive process in cultural dynamics, taking place at intersections of heterogeneous cultures most favourable to the efflorescence of this type of literature? The authors of the various essays - on Patrick White and David Malouf, Ben Okri, Syl Cheney-Coker, Robert Kroetsch, Gwendolyn MacEwan, Jack Hodgins, Salman Rushdie, Janet Frame, Wilson Harris and others - provide a dynamic focus on the reality at stake beneath the surface representations of 'magical realism' in post-colonial literatures.
This book is expected to be of great help to students and teachers in studying English literature especially in fiction and non-fiction writings Indian and African American literature. It deals with several ideologies and theories in order to evaluate the chosen authors in English.
It was packing day, the day after the convocation. Some of the students had left. Others were in the process of leaving. There were tears and hurried goodbyes all around. I was standing at the reception, ready to check out. Priyanka barely looked at me as she passed by. I tried to muster up the courage to talk to her. We may never see each other again. Was this how she wanted to leave things between us? Is this how I wanted to leave things between us? My heart screamed the answer to that but I still could not approach herƒ Does the bumbling, clueless-about-women. Anil Krishna ever find love and happiness?
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