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This book is an edited collection of essays by fourteen multicultural women (including a few Anglo women) who are doing work that crosses the boundaries of ecological and social healing. The women are prominent academics, writers and leaders spanning Native American, Indigenous, Asian, African, Latina, Jewish and Multiracial backgrounds. The contributors express a myriad of ways that the relationship between the ecological and social have brought new understanding to their experiences and work in the world. Moreover by working with these edges of awareness, they are identifying new forms of teaching, leading, healing and positive change. Ecological and Social Healing is rooted in these ideas...
Improvisation is a practice of musical exploration and discovery. What we explore is our lived experience and what we discover we share with our audience. As improvisers, our creative resources include sense perception, imagination, somatic presence, and the vitality of emotional expression. In collaboration we develop relationships that serve the music and balance the priorities of self and others in the ensemble. Being Music describes the craft of improvisation as “spontaneous composition” including an awareness of form, compositional focus, theme and development, stillness and creative flow. Miller and Lande address the problem of perfectionism and offer strategies for overcoming judgmental thinking and other obstacles to creative spontaneity. Abundant written musical examples and exercises offer the reader ample opportunity to practice the principles outlined in the text. With over forty-five years of experience performing together, Miller and Lande's dialogical reflections on creativity and community offer a clear and practical guide to the creative process of improvisation for musicians of any style or genre, and at all levels of experience.
Continuous Frieze Bordering [Red] documents the migratory patterns of an Other as she travels between countries, languages, and shades of Rothko's red. A narrative on hybridity, the text navigates the instability of cultural border identities and functions as an ekphrasis of Rothko's bricked-in, water-damaged windows in his Seagram murals.
Poetry. Art. Asian American Studies. Poems by Michelle Naka Pierce and images by Sue Hammond West. "It is an ekphrasis of the female form, one which writes a woman into being where the woman cannot be. It is a reverse-ekphrasis of the formal female, one which images what might be a woman were woman not imagined. Pierce and Hammond West's SHE, A BLUEPRINT underscores that every grid is someone's narrative, and there is only necessity in the thrust of us" Vanessa Place."
Abstracts, letters, previously published materials dealing with the descendants of William Wilson and Elizabeth Blackburn as well as information on the Friend and Skidmore families.