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Notes from a Small Dog
"He asked me what it is with balls...why I love them so much. I had a think about that. It is 'cause they fly. Like birds. I'm supposed to chase birds. I'm a bird-dog. 'Course, she won't really let me. It doesn't stop me barking at 'em and seeing 'em off from my garden. But it isn't the same. Somewhere, deep inside, I know what I am supposed to do, what I am supposed to be. But I can't be that for some reason... things aren't quite set up right for me to chase birds all day and bring them back to her. On the other hand, that's who I am...and you can't be anything else than that... so the balls let me be myself in a world where I can't catch birds all day. She says that's not unusual... She s...
British Cinema of the 1950s
In this definitive and long-awaited history of 1950s British cinema, Sue Harper and Vincent Porter draw extensively on previously unknown archive material to chart the growing rejection of post-war deference by both film-makers and cinema audiences. Competition from television and successive changes in government policy all forced the production industry to become more market-sensitive. The films produced by Rank and Ealing, many of which harked back to wartime structures of feeling, were challenged by those backed by Anglo-Amalgamated and Hammer. The latter knew how to address the rebellious feelings and growing sexual discontents of a new generation of consumers. Even the British Board of Film Censors had to adopt a more liberal attitude. The collapse of the studio system also meant that the screenwriters and the art directors had to cede creative control to a new generation of independent producers and film directors. Harper and Porter explore the effects of these social, cultural, industrial, and economic changes on 1950s British cinema.
Réussir son stage en anglais à l'étranger
Vous êtes étudiant, vous apprêtez à partir en stage à l’étranger et ne maîtrisez pas parfaitement l’anglais : cette méthode d'apprentissage est pour vous ! Conçu pour les étudiants dès le master 1, cet ouvrage, accompagné d’un CD audio, vous permettra d’acquérir une meilleure maîtrise de la langue anglaise afin de réussir au mieux votre stage. Il suit une progression thématique et grammaticale qui permet de satisfaire rapidement les besoins rencontrés lors des différentes étapes de votre projet: avant le départ (formalités et préparation du voyage), pendant le séjour (vie courante et professionnelle) et à votre retour (rédaction du CV et entretien professionn...
High speed rail
The main report is available (ISBN 9780215038579) and additional written evidence is contained in Volume 3, available on the Committee website at www.parliament.uk/transcom
Paranormal Warwickshire
Takes the reader into the world of ghosts and spirits in Warwickshire, following their footsteps into the unknown.
The Year I Couldn't Cry
The Year I Couldn't Cry documents a mother's eyewitness account of her daughter's brutal murder, subsequent trial, custody of two infant children, and four other funerals in less than a year.
Rachel's Fold
Rachel's Fold follows the lives of four girls on the brink of adulthood.When Maddy, Gayle, Jillian, and Regan find themselves at Miss Webster's School for Young Women, they quickly see it is not for them. Attempting to find their place, the four sneak out of the school and board a ship for Spain. The plan is to be missionaries. Their dream is shattered when they arrive in war-torn Belgium during the Great War.Dropped in the middle of a ravaged country, they find themselves at the DeVoss field hospital. Dr. Levi DeVoss runs his hospital strictly by his rules. He needs nurses, not missionaries. The risk is too great to send them back. The only way to protect them is to keep them secluded at his compound—and away from the male species.Adjusting to the new way of life thrust upon them, the girls begin to learn the best-laid plans are God's plan. Working with their initial plan, they turn their sorrow into joy and their ashes to beauty. The four girls become women of strength. Will they all make it home? If they do, will their hearts be intact?
Who Cares?
The reasons for children coming into care are many, so too are the services and provisions that structure their new lives. The manner in which these are applied to individual children varies beyond classification. Care means many different things to many different children, but every child in care today shares the common ground of an early experience of family distress and breakdown. Written by a group of young people in care, this publications provided a platform from which they could speak freely about their hopes, aspirations, contentions, criticisms and fears. As well as detailing their experiences of public care, Who Cares? highlights those aspects of the system that need addressing to ensure that it meets the social, emotional and educational needs of all children and young people. Now available as an ebook.
Clangers
The Clangers memorably spoke in a language played on swannee whistles. No one expected them to have scripts. But they did. Within an ancient barn nestled in the heart of the Kent countryside, Smallfilms founders Oliver Postgate and Peter Firmin created one of the most beloved BBC children’s series of the twentieth century: Clangers. Clangers: The Complete Scripts 1969–1974 is the ultimate compendium of scripts from the original two series of the show in one lavishly illustrated volume. These previously unseen scripts sit alongside original writing from Daniel Postgate – son of the original creator Oliver Postgate – exploring the inspiration for and lasting cultural impact of the show, new and historical photographs, Peter’s original illustrations, Oliver’s handwritten musical notations and more. The joyful revelation that the Clangers’ often colourful words were scripted in English brings an exciting new dimension to the Smallfilms legacy.
Little Clifty United Methodist Church
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