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London Calling
Black authors of the 18th century were powerful figures: out walking near Charing Cross with one of his artist friends, Ignatius Sancho was accosted by a young fop who cried out to his friend, Smoke Othello. Sancho placed himself across the path and exclaimed in booming tones, Aye, Sir, such Othellos you meet with but once in a century. Such Iagos as you, we meet with in every dirty passage. Proceed, Sir
Night Haunts
London at night has always been seen as a lawless orgy of depravity and pestilence. But is it now as bland and unthreatening as any new town? Sukhdev Sandhu journeys across the city to find out whether the London night really has been rendered neutral by street lighting and CCTV cameras. His nocturnal forays see him prospecting in the London night with the people who drive its pulse, from the avian police to security guards, urban fox hunters and exorcists. He wades through the sewers, hangs out with pirate DJs, and accompanies the marine patrol looking for midnight corpses. Beautifully written, Night Haunts seeks to reclaim the mystery and romance of the city—to revitalize the great myth of London for a new century.
A Free Man
Every morning in Sadar Bazaar, one of the oldest markets in Delhi, a gang of men gather looking for work in the building trade. For five years, Aman Sethi shared their lives, and in particular that of Mohammed Ashraf. Ashraf is a mazdoor, an itinerant house-painter, but he's not a typical labourer - he's studied biology in college, and after college learnt how to repair TV sets, cut suits, and slice chicken. He lived all over India, but now he finds himself in Delhi: the second most populous city in the country. The morning will bring hangovers, whisky breakfasts and possibly answers to the lingering questions that haunt Ashraf. How did he get here? Why is he the way he is? And is there a way back home? One of the very best young journalists in India, Aman Sethi brings Ashraf vividly alive and illuminates the lives of countless others like him. Wry, humorous and insightful, A Free Man is an unforgettable portrait of an invisible man in his invisible city, and an extraordinary human story.
Of Mud and Flame
Exploring Penda's Fen, a 1974 BBC film that achieved mythic status. In 1974, the BBC broadcast the film Penda's Fen, leaving audiences mystified and spellbound. “Make no mistake. We had a major work of television last night,” The Times declared the next morning. Written by the playwright and classicist David Rudkin, the film follows Stephen, an 18-year-old boy, whose identity, sexuality, and suffocating nationalism unravels through a series of strange visions. After its original broadcast, Penda's Fen vanished into unseen mythic status, with only a single rebroadcast in 1990 sustaining its cult following. With a DVD release by the BFI in 2016, Penda's Fen has now become totemic for those...
I'll Get My Coat
Tiré du site Internet de Book Works: "I'll get my coat is published as part of Scape Specific, commissioned by Sara Wajid. Scape Specific is a project curated by Sara Wajid for Book Works, which explores the evolution of a Muslim vernacular in the British landscape".
Poor but Sexy
24 years after the fall of the Berlin Wall, Europe is as divided as ever. The passengers of the low-budget airlines go east for stag parties, and they go West for work; but the East stays East, and West stays West. Caricatures abound - the Polish plumber in the tabloids, the New Cold War in the broadsheets and the endless search for 'the new Berlin' for hipsters. Against the stereotypes, Agata Pyzik peers behind the curtain to take a look at the secret histories of Eastern Europe (and its tortured relations with the 'West'). Neoliberalism and mass migration, post-punk and the Bowiephile obsession with the Eastern Bloc, Orientalism and 'self-colonization', the emancipatory potentials of Socialist Realism, the possibility of a non-Western idea of modernity and futurism, and the place of Eastern Europe in any current revival of 'the idea of communism' – all are much more complex and surprising than they appear. Poor But Sexy refuses both a dewy-eyed Ostalgia for the 'good old days' and the equally desperate desire to become a 'normal part of Europe', reclaiming instead the idea an Other Europe. , ,
The Bus We Loved
Elborough tells the story of the Routemaster - a bus designed and made in London, by Londoners for Londoners and, as the Routemaster fleet is formally retired, remembers the vehicle that has come to symbolise the city in the eyes of much of the world. This edition has been revised to include the Routemaster's last run.
Empireland
EMPIREWORLD IS AVAILABLE TO ORDER NOW WINNER OF THE 2022 BRITISH BOOK AWARD FOR NARRATIVE NONFICTION ***THE BOOK THAT INSPIRED THE CHANNEL 4 DOCUMENTARY 'EMPIRE STATE OF MIND'*** THE SUNDAY TIMES BESTSELLER 'The real remedy is education of the kind that Sanghera has embraced - accepting, not ignoring, the past' Gerard deGroot, The Times _____________________________________________________ EMPIRE explains why there are millions of Britons living worldwide. EMPIRE explains Brexit and the feeling that we are exceptional. EMPIRE explains our distrust of cleverness. EMPIRE explains Britain's particular brand of racism. Strangely hidden from view, the British Empire remains a subject of both sham...
Discontent and Its Civilizations
Discontent and its Civilizations is the essential first collection of non fiction from Mohsin Hamid. Discontent and its Civilizations collects the best of Mohsin Hamid's writing on subjects as diverse and wide-ranging as Pakistan; fatherhood; the death of Osama Bin Laden and the writing of The Reluctant Fundamentalist. Unified by the author's humane, clear-headed and witty voice, the book makes a compelling case for recognizing our common humanity while relishing our diversity - both as readers and citizens; for resisting the artificial mono-identities of religion or nationality or race; and for always judging a country or nation by how it treats its minorities, as 'Each individual human bei...
It Gets Me Home, This Curving Track
When all else fails, when our compass is broken, there is one thing some of us have come to rely on: music really can give us a sense of something like home. With It Gets Me Home, This Curving Track, legendary music critic Ian Penman reaches for a vanished moment in musical history when cultures collided and a certain kind of cross-generational and 'cross-colour' awareness was born. His cast of characters includes the Mods, James Brown, Charlie Parker, Frank Sinatra, Elvis Presley, John Fahey, Steely Dan and Prince - black artists who were innovators, and white musicians who copied them for the mainstream. In prose that glides and shimmies and pivots on risky metaphors, low puns and highbrow reference points (Brian Dillon, frieze), Ian Penman's first book in twenty years is cause for celebration.
