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Susan de Sola’s Frozen Charlotte spans the breadth of human experience-from celebration to lamentation, from gravity to lightheartedness, from domestic and quotidian scenarios to historic upheavals and their aftermaths, both European and American. She skillfully deploys an impressive range of formal styles and free verse in her debut collection. De Sola's Frozen Charlotte manifests all the hallmarks of a seasoned poet in surefootedness, wit, and depth of empathy.
PRAISE FOR FROZEN CHARLOTTE
The breadth of Susan de Sola’s poetry, by turns gossamer light and solemnly elegiac, offers a pleasurable aesthetic surprise fr...
At a time when the world, Europe especially, is once more threatened by murderous conflicts between groups of people claiming ethnic and national identity as a basis for sovereignty over specific territories, it is timely to consider the part that literature has played and is playing in the creation of ethnic and national stereotypes. What role do such stereotypes have in literature? How are they created? From what materials are they constructed? What purpose do ethnic and national stereotypes serve? Can it ever be a useful one? Are they avoidable? Can we live without them? What can be done about the deleterious effects they may be thought to produce? Stereotyping is worldwide — is there a...
Susan de Sola’s Frozen Charlotte spans the breadth of human experience-from celebration to lamentation, from gravity to lightheartedness, from domestic and quotidian scenarios to historic upheavals and their aftermaths, both European and American. She skillfully deploys an impressive range of formal styles and free verse in her debut collection. De Sola's Frozen Charlotte manifests all the hallmarks of a seasoned poet in surefootedness, wit, and depth of empathy.
PRAISE FOR FROZEN CHARLOTTE
The breadth of Susan de Sola’s poetry, by turns gossamer light and solemnly elegiac, offers a pleasurable aesthetic surprise fr...
An illuminating look at the many forms of poetry's essential excellence by James Longenbach, a writer with "an ear as subtle and assured as any American poet now writing" (John Koethe) "This book proposes some of the virtues to which the next poem might aspire: boldness, change, compression, dilation, doubt, excess, inevitability, intimacy, otherness, particularity, restraint, shyness, surprise, and worldliness. The word ‘virtue' came to English from Latin, via Old French, and while it has acquired a moral valence, the word in its earliest uses gestured toward a magical or transcendental power, a power that might be embodied by any particular substance or act. With vices I am not concerned...
The 2018 edition of the Best American Poetry—“a ‘best’ anthology that really lives up to its title” (Chicago Tribune)—collects the most significant poems of the year, chosen by Poet Laureate of California Dana Gioia. The guest editor for 2018, Dana Gioia, has an unconventional poetic background. Gioia has published five volumes of poetry, served as the Chairman of the National Endowment for the Arts, and currently sits as the Poet Laureate of California, but he is also a graduate of Stanford Business School and was once a Vice President at General Foods. He has studied opera and is a published librettist, in addition to his prolific work in critical essay writing and editing literary anthologies. Having lived several lives, Gioia brings an insightful, varied, eclectic eye to this year’s Best American Poetry. With his classic essay “Can Poetry Matter?”, originally run in The Atlantic in 1991, Gioia considered whether there is a place for poetry to be a part of modern American mainstream culture. Decades later, the debate continues, but Best American Poetry 2018 stands as evidence that poetry is very much present, relevant, and finding new readers.
In Code was born out of Maryann Corbett’s years of work for the Minnesota Legislature, with a nonpartisan office that mandated that she maintain a public silence about politics. In poems that go from elegiac to fiery to funny, she examines behind-the-scenes legislative labor and the people who do it, the tensions of working for government in a climate hostile to government, and the buildings and grounds that put a beautiful face on a history full of ambiguities. This well-honed collection, Corbett's fifth, reflects on doublespeak and public poses; on coworkers and commutes; on legalese, courts, and elections; on news and history; and at last on retirement—through poems masterfully deploy...
In Melissa Balmain’s Walking in on People, the serious is lightened with a generous serving of wit and humor, and the lighthearted is enriched with abundant wisdom. She shows us how poetry can be fun yet grounded in everyday challenges and triumphs, with subjects ranging from the current and hip (Facebook posts, online dating, layoffs, retail therapy, cell-phone apps, trans fat), to the traditional and time-tested (marriage, child-rearing, love, death). Through it all, her craft is masterful, with a formal dexterity deployed with precision in a showcase of forms such as the villanelle, ballad, triolet, nonce, and the sonnet. It is little wonder then that Walking in on People is the winner ...
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A pantoum about a child touching the smallpox-scarred face of an aunt; a dialogue between Jesus and Pilate in the form of a nursery rhyme; Joseph and Mary sleeping on the Sphinx's stone paw: these are some of the experiences brought before us in The Heronry. Mark Jarman is the author of ten poetry collections. He lives in Nashville, Tennessee.
"In Breath Control, Maryann Corbett explores the intimacy of touch and the expansive world that opens up beyond that touch."--Page 4 of cover.