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Este trabajo aborda la construcción del estado nacional desde San Luis Potosí en la década de 1920, y la presencia de la inversión norteamericana en la entidad durante ese proceso. Pone énfasis en la fundición de Morales-ASARCO asentada en la capital potosina y estudia los gobiernos de Rafael Nieto y Aurelio Manrique.
Se trata de un libro colectivo y comparativo del patrimonio cultural efímero compartido en donde se explican memorias, experiencias, cultura popular y vida cotidiana. El proposito es generar un mayor estudio desde esta perspectiva de análisis propuesta. Como historiadores en el tiempo de covid-19, buscamos en el pasado documentos y metodologías para alyudar a comprender el presente efímero e inmaterial.
From the child taunted by her playmates to the office worker who feels stifled in his daily routine, people frequently take out their pain and anger on others, even those who had nothing to do with the original stress. The bullied child may kick her puppy, the stifled worker yells at his children: Payback can be directed anywhere, sometimes at inanimate things, animals, or other people. In Payback, the husband-and wife team of evolutionary biologist David Barash and psychiatrist Judith Lipton offer an illuminating look at this phenomenon, showing how it has evolved, why it occurs, and what we can do about it. Retaliation and revenge are well known to most people. We all know what it is like ...
Publicación de Aniversario de la Sociedad Mexicana de Computación en la Educación (SOMECE)
Music is powerful and transformational, but can it spur actual social change? A strong collection of essays, At the Crossroads of Music and Social Justice studies the meaning of music within a community to investigate the intersections of sound and race, ethnicity, religion, gender, sexual orientation, and differing abilities. Ethnographic work from a range of theoretical frameworks uncovers and analyzes the successes and limitations of music's efficacies in resolving conflicts, easing tensions, reconciling groups, promoting unity, and healing communities. This volume is rooted in the Crossroads Section for Difference and Representation of the Society for Ethnomusicology, whose mandate is to address issues of diversity, difference, and underrepresentation in the society and its members' professional spheres. Activist scholars who contribute to this volume illuminate possible pathways and directions to support musical diversity and representation. At the Crossroads of Music and Social Justice is an excellent resource for readers interested in real-world examples of how folklore, ethnomusicology, and activism can, together, create a more just and inclusive world.