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This volume is based on papers given at the conference 'Imagining the City' held in Cambridge in 2004. Together they examine the city as imagined space and as a matrix for imagined worlds, using French, German, English, Italian, Russian and North American examples.
In the late twentieth and early twenty-first centuries, concerns about the environment and the future of global capitalism have dominated political and social agendas worldwide. The culture of excess underlying these concerns is particularly evident in the issue of trash, which for environmentalists has been a negative category, heavily implicated in the destruction of the natural world. However, in the context of the arts, trash has long been seen as a rich aesthetic resource and, more recently, particularly under the influence of anthropology and archaeology, it has been explored as a form of material culture that articulates modes of identity construction. In the context of such shifting,...
New essays on the evolution of cultural memory of the former German Democratic Republic since 1989-90 and its importance for Germany's continuing unification process. Twenty years on from the dramatic events that led to the opening of the Berlin Wall and the collapse of the GDR, the subjective dimension of German unification is still far from complete. The nature of the East German state remains a matter of cultural as well as political debate. This volume of new research focuses on competing memories of the GDR and the ways they have evolved in the mass media, literature, and film since 1989-90. Taking as its point ofdeparture the impact of iconic visual images of the fall of the Wall on ou...
The point of departure for this collection is a translation of excerpts from Zwischenstadt by Thomas Sieverts.
Ours is a wasteful society, consumed with care for its remains, according to the contributors of Waste-Site Stories. Here scholars from around the world probe current notions of waste and the ways in which remains of different kinds recover value in the act of recollection and recycling. In the wake of destructive experiences that continue to trouble memory, there is something compelling about today's theoretical and artistic interest in waste and recycling. The two terms provide a purchase on changing conditions of cultural memory, on technological development and its sometimes toxic ecological and social fallout, and on the legacy of personal and historical trauma. They suggest new resources for the stories of our engagement with the things of the past and the sites where traces of history survive.
This is the first collection of interdisciplinary scholarship to expand on gridded modalities, with a strong affinity to the arts. It seeks to inspire new avenues of research by exploring a horizon of gridded relationships among humans, between humans and the environment, and between human and non-human actors. By bringing together philosophical themes and applied practices, the volume traces a genealogy of the "grid" as an exercise in grasping its inherent complexity and incomplete quality. A collective effort by a group of researchers, practitioners, and designers, it promotes an understanding of gridded modalities as complex networks that interact with other networks, generating new meanings and reflecting changes in thought.
Adequate information security is one of the basic requirements of all electronic business processes. It is crucial for effective solutions that the possibilities offered by security technology can be integrated with the commercial requirements of the applications. Here the positions of the experts involved are very diverse: some strive for as much security as possible, others only for as much security as is necessary. The conference ISSE (Information Security Solutions Europe) is the outstanding forum for the interdisciplinary search for sustainable compromises and for the presentation of concepts which hold up in real life. This book offers the most recent papers in the area of strategies, technologies, applications and best practice.
»Dimensions. Journal of Architectural Knowledge« is an academic journal in, on, and from the discipline of architecture, addressing the constitution of architectural knowledge. It explores methods genuine to the discipline and architectural modes of interdisciplinary methodological adaptions. Processes, and results of knowledge creation and practice are esteemed coequally, with particular attention to the architectural design in practice and research. »Making Sense: Thinking through Making Architecture«, Issue 06/2023, investigates how the production of architectural knowledge involves the interaction of the body, the material reality, and the environmental world. Making sense here is defined as the production of architectural knowledge through the physical act of making. The contributors to this issue show how making architecture may be understood as a way of thinking.