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An Evening Or Trying Not to Over-React
  • Language: en

An Evening Or Trying Not to Over-React

  • Type: Book
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  • Published: 1982
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  • Publisher: Unknown

None

One on the Way
  • Language: en
  • Pages: 84

One on the Way

  • Type: Book
  • -
  • Published: 1980*
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  • Publisher: Unknown

None

Rites of Passage
  • Language: en

Rites of Passage

  • Type: Book
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  • Published: 1978
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  • Publisher: Unknown

None

Djuna
  • Language: en
  • Pages: 25

Djuna

  • Type: Book
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  • Published: 1991
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  • Publisher: Unknown

None

Svetlana: the Inside Story ... Translated by Timothy Wilson. [With Plates, Including Portraits.].
  • Language: en
  • Pages: 158
The Destruction of Eve
  • Language: en
  • Pages: 42

The Destruction of Eve

  • Type: Book
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  • Published: 1998
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  • Publisher: Unknown

None

Nightwood Theatre
  • Language: en
  • Pages: 347

Nightwood Theatre

Nightwood Theatre is the longest-running and most influential feminist theatre company in Canada. Since 1979, the company has produced works by Canadian women, providing new opportunities for women theatre artists. It has also been the "home company" for some of the biggest names in Canadian theatre, such as Ann-Marie MacDonald. In Nightwood Theatre, Scott describes the company?s journey toward defining itself as a feminist theatre establishment, highlighting its artistic leadership based on its relevance to diverse communities of women. She also traces Nightwood?s relationship with the media and places the theatre in an international context by comparing its history to that of like companies in the U.K. and the U.S

Canadian Theatre Review
  • Language: en
  • Pages: 680

Canadian Theatre Review

  • Type: Book
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  • Published: 1985
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  • Publisher: Unknown

None

A Literary Biography of Robin Blaser
  • Language: en
  • Pages: 304

A Literary Biography of Robin Blaser

A Literary Biography of Robin Blaser: Mechanic of Splendor is the first major study illustrating Robin Blaser’s significance to North American poetry. The poet Robin Blaser (1925–2009) was an important participant in the Berkeley Renaissance of the 1950s and San Francisco poetry circles of the 1960s. The book illuminates Blaser’s distinctive responses to and relationships with familiar writers including Robert Duncan, Jack Spicer, and Charles Olson via their correspondence. Blaser contributed to the formation of the serial poem as a dominant mode in post-war New American poetry through his work and engagement with the poetry communities of the time. Offering a new perspective on a well...