You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This volume is the first sustained examination of the ways in which the diverse kinds of confinement intersect with Western ideologies of subjectivity, investigating the modern nation-state's reliance on captivity as a means of consolidating notions of individual and national sovereignty.
"Time to Begin Anew significantly extends our understanding of Dryden's Virgil, while at the same time providing a sophisticated account of the cultural and political currents of the 1690s."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
None
This book explores the concept of freedom by reading the works of Corneille, Pascal, and Racine as political theories in the guise of literature. Within this framework, a certain model quickly becomes apparent, namely that of absolute sovereignty as the guarantor of freedom. The three writers under consideration share the view that freedom is ensured only by absolute authority rather than the absence of such authority. From Corneille, who modulates freedom through an erotic link to the monarch as a means through which the glorious individual is brought into the state's fold, to Pascal, who traces the liberation of the will via absolute submission to God, to Racine, for whom absolute submission to the most Christian king is the only route to political and personal salvation, Elmarsafy studies a politics of taking charge that differs markedly form the contemporary orthodoy that privileges individual freedom.
In this work Craig Kallendorf argues that the printing press played a crucial, and previously unrecognized, role in the reception of the Roman poet Virgil in the Renaissance. Using a new methodology developed at the Humboldt University in Berlin, Printing Virgil shows that the press established which commentaries were disseminated, provided signals for how the Virgilian translations were to be interpreted, shaped the discussion about the authenticity of the minor poems attributed to Virgil, and inserted this material into larger censorship concerns. The editions that were printed during this period transformed Virgil into a poet who could fit into Renaissance culture, but they also determined which aspects of his work could become visible at that time.
Featuring cutting-edge essays by leading scholars, this collection formulates a new feminist theory of eighteenth-century women's satire.
This book shows how, in his enormously influential 'Essay concerning Human Understanding' (1689), John Locke embraces the new rhetoric of seventeenth-century natrual philosophy, adopting the strategies of his scientific contemporaries to create a highly original natural history of the human mind. With the help of Locke's notebooks, letters and journals, Peter Walmsley reconstructs Locke's scientific career, including his early work with the chemist Robert Boyle and the physician Thomas Sydenham. He also shows how the 'Essay' embodies in its form and language many of the preoccupations of the science of its day, from the emerging discourses of experimentation and empirical taxonomy to developments in embryology and the history of trades. The result is a new reading of Locke, one that shows both his brilliance as a writer and his originality in turning to science to effect a radical reinvention of the study of the mind.
Secrets, Silences, and Betrayals is an invitation to readers to consider factoring in the often discarded or censored but useful information held by the dominated. The book's principal claim is that the unsaid weighs in significantly on the scale of semantic construction as that which is said. Thus, it legitimates the impact of the absentee in broadening and clarifying knowledge and understanding in most disciplines. In other words, just as exogenous epistemologies have underlain and explicated the basis for understanding diverse encounters-social, political, historical, cultural, literary, etc.-Secrets, Silences, and Betrayals challenges, from a pluridisciplinary angle, such highly dominant...
The political and religious upheavals of the seventeenth century caused an unprecedented number of people to emigrate, voluntarily or not, from England. Among these exiles were some of the most important authors in the Anglo-American canon. In this 2007 book, Christopher D'Addario explores how early modern authors thought and wrote about the experience of exile in relation both to their lost homeland and to the new communities they created for themselves abroad. He analyses the writings of first-generation New England Puritans, the Royalists in France during the English Civil War, and the 'interior exiles' of John Milton and John Dryden. D'Addario explores the nature of artistic creation from the religious and political margins of early modern England, and in doing so, provides detailed insight into the psychological and material pressures of displacement and a much overdue study of the importance of exile to the development of early modern literature.
This book is about mapping the future of eighteenth-century women’s writing and feminist literary history, in an academic culture that is not shy of declaring their obsolescence. It asks: what can or should unite us as scholars devoted to the recovery and study of women’s literary history in an era of big data, on the one hand, and ever more narrowly defined specialization, on the other? Leading scholars from the UK and US answer this question in thought-provoking, cross-disciplinary and often polemical essays. Contributors attend to the achievements of eighteenth-century women writers and the scholars who have devoted their lives to them, and map new directions for the advancement of research in the area. They collectively argue that eighteenth-century women’s literary history has a future, and that feminism was, and always should be, at its heart. Featuring a Preface by Isobel Grundy, and a Postscript by Cora Kaplan.