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World in their Hands
Shortlisted for the Sunday Times Rugby Book of the Year 2023 World in their Hands recounts the remarkable events that led to a group of friends from south-west London staging the inaugural Women's Rugby World Cup in 1991. The tournament was held just 13 years after teams from University College London and King's contested a match that catalysed the growth of the women's game in the UK, and the organisers overcame myriad obstacles before, during and after the World Cup. Those challenges, which included ingrained misogyny, motherhood, a recession, the Gulf War and the collapse of the Soviet Union, provide a fitting framing device for a book that celebrates female achievement in the face of adv...
Hello Serotonin
Contemporary Canadian poetry got you down? Well, we'd like to prescribe a little Hello Serotonin, the latest in mood-enhancing poetry anti-depressants. This new book of poems from Jon Paul Fiorentino operates within the constraints of what he terms 'synaptic syntax' - poetry that performs the very nature of neuronal activity from the point of view of a mood-enhanced Human Comedy, which, with a quick turn of phrase, or missing neurotransmitter, could become Human Tragedy. Filled with a witty, self-deprecating and often Andy Kaufmanesque sense of humour, Hello Serotonin is today's generation of pharmaceutical poetry, and will alter your perception of therapeutic poetics. Get your prescription filled today
The Development of Autism
Edited vol provdes comprehensive accnts of various aspects of dev (typical & atypical) of persons with autism, always wth refer to dev theory and solid research. For students rsrchrs & care provdrs in psychology, psychiatry, social wrk, dev psy & educatn
Traitor's Son
“The juxtaposition of magic with science is fascinating” in the sequel to Trickster’s Girl by the author of the Farsala Trilogy (School Library Journal). In near-future North America, Kelsa—last seen in Trickster’s Girl—has passed on the medicine pouch that contains the spiritual magic to save the earth from environmental destruction. Her pick to continue the quest is Jase, a native boy. But in fact, a family feud has cut Jase off from his traditional roots, and he is even more doubtful and resistant than Kelsa was. But the shapeshifting spirit Raven, now a beautiful girl, is quite persuasive and manages to convince Jase this is something not only that he can do, but that he must if he wants to heal his family and the earth. “Nonstop action, family strife, Pacific Northwest Native mythology and a likable hero combine in an unbeatable combination for fans of the fantastic.”—Kirkus Reviews “Readers of the first volume in the Raven Duet will enjoy this second and concluding one.”—Booklist “Will keep readers riveted.”—School Library Journal
Resume Drowning
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The World Is Born From Zero
The World is Born From Zero is an investigation into the relationship between video games and science fiction through the philosophy of speculation. Cameron Kunzelman argues that the video game medium is centered on the evaluation and production of possible futures by following video game studies, media philosophy, and science fiction studies to their furthest reaches. Claiming that the best way to understand games is through rigorous formal analysis of their aesthetic strategies and the cultural context those strategies emerge from, Kunzelman investigates a diverse array of games like The Last of Us, VA-11 Hall-A, and Civilization VI in order to explore what science fiction video games can tell us about their genres, their ways of speculating, and how the medium of the video game does (or does not) direct us down experiential pathways that are both oppressive and liberatory. Taking a multidisciplinary look at these games, The World is Born From Zero offers a unique theorization of science fiction games that provides both science fiction studies and video game studies with new tools for thinking how this medium and mode inform each other.
A Companion to Ricoeur's The Symbolism of Evil
The Symbolism of Evil is the final book in Ricoeur’s early trilogy on the will. While Freedom and Nature sets aside normative questions altogether and Fallible Man examines the question of what makes the bad will possible, here Ricoeur takes up the question of evil in its actuality. What is the nature of the will that has succumbed to evil? The question of evil resists reflection and remains inscrutable, leading Ricoeur to proceed indirectly through a study of the abundant resources contained in symbols and myths. Symbols, as Ricoeur famously says, “give rise to thought” and thereby open up a field of meanings which help to inform a philosophical reflection on evil. This hermeneutics of symbols signals an important shift in Ricoeur’s philosophical trajectory, which increasingly turns to language and the various forms of discourse which harbor multiple meanings. The contributors to this volume, edited by Scott Davidson, highlight a wide range of important themes in Ricoeur’s treatment of the symbolics of evil that resonate with current topics in contemporary philosophy and religion.
Becoming a Londoner
The first volume of David Plante's extraordinary diaries of a life lived among the artistic elite, both a deeply personal memoir and a hugely significant document of cultural history
Smoke Signals
From illegally entering a closed area in rural China with a pack full of pot to paddling across a crocodile-infested lake in a leaky Zodiac in the Dominican Republic to crash landing in a hot-air balloon in the most-redneck part of Appalachia, Fayhee juxtaposes highly improbable misadventures with tender tales about losing his beloved dog, about the scars that define people in the High Country and about the friendships forged in the most remote parts of the American West.
Indexical Elegies
With links to intense poetic works like John Berryman’s Dream Songs, Gilbert Sorrentino’s Corrosive Sublimate and Erin Moure’s Furious, Jon Paul Fiorentino’s new collection is a whip-smart poetic investigation of anxiety in all its many manifestations. Anxiety caused by geography, anxieties of influence and looming worries about loss inform the poems as they weave narrative threads and associations that highlight both the treachery of language and its necessity in shaping human experience: 'All roads, side roads/all text, signage/All seasons, autumn/ all memories, winter.' The poems here build on Derrida’s ideas about the psychological implications of memory and the archival impulse and on philosopher Charles Sanders Peirce’s semiotics of 'the index.' Indexical Elegies is a rich, emotionally charged work that showcases Fiorentino’s talents at their feisty, engaged best. From its Post-Prairie pamphleteering and its comic Montreal musings to its moving elegies, this is provocative poetry that never loses touch with the reader’s pleasure.
