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The 43rd UID conference, held in Genova, takes up the theme of 'Dialogues' as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with 'others', which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, "dialogue" as a profitable exchange based on a common languag...
Handel was a defining figure of the late Baroque era, perhaps best known for bringing the oratorio form to an English-speaking audience. This insightful study brings to life the glory of his artistry, his elusive personality and the flavour of his time.
Towards the end of the 1800s, the palace of the Corsini family and its garden were acquired by the Italian State. The complex had undergone a radical transformation in the mid-eighteenth century, when Cardinal Neri Maria Corsini had entrusted the renovation of this property to the architect Ferdinando Fuga. In this occasion the palace was transformed from Renaissance to eighteenth-century, and the surrounding area was enriched by a magnificent set of low buildings, fountains and ornamental architecture that became the backdrop for laurel and Italian gardens. When the first director of the Botanic Garden, Pietro Romualdo Pirotta, took possession of this area (1883), it was already in its four...
Le indagini del tenente Roversi 1962. Nel giro di pochi giorni, tre omicidi – uno ad Alghero, uno a Cagliari e uno a Roma – vengono portati all’attenzione del tenente Roversi. Le tre morti paiono del tutto scollegate: le vittime non avevano legami tra di loro, e anche le modalità con cui sono state uccise sono molto diverse l’una dall’altra. Eppure, una curiosa circostanza accomuna gli omicidi. In tutti e tre i casi sembra infatti esserci un solo indiziato dal movente credibile; tuttavia, ciascuno dei tre sospettati presenta un alibi di ferro che lo scagiona da ogni accusa. Solo una curiosa coincidenza? Roversi non è uomo che crede alle coincidenze, e si getta quindi a capofitto ...
A fascinating look at one of the most experimental, volatile, and influential decades, Film, Fashion, and the 1960s, examines the numerous ways in which film and fashion intersected and affected identity expression during the era. From A Hard Day's Night to Breakfast at Tiffany's, from the works of Ingmar Bergman to Blake Edwards, the groundbreaking cinema of the 1960s often used fashion as the ultimate expression for urbanity, youth, and political (un)awareness. Crumbling hierarchies brought together previously separate cultural domains, and these blurred boundaries could be seen in unisex fashions and roles played out on the silver screen. As this volume amply demonstrates, fashion in films from Italy, France, England, Sweden, India, and the United States helped portray the rapidly changing faces of this cultural avant-gardism. This blending of fashion and film ultimately created a new aesthetic that continues to influence the fashion and media of today.
How have Handel's 'lives' in biographies and histories moulded our understanding of the musician, the man and the icon?
This volume represents one of the first extensive studies that investigates the persistence of questions of race and racism in Italy from the liberal age to the present, through colonialism, Fascism and post-war Italy. It adopts an interdisciplinary perspective to investigate the intertwining of the cultural, social, legislative and political dynamics of discrimination in Italy’s past and present. Drawing upon the expertise of historians, political scientists, sociologists, scholars of literature and experts in cultural studies, the original essays collected in this volume show a remarkable continuity and the persistence of racism in the Italian cultural and political discourse, in society and in the representation of Others. They also speak of the shifting of practices of Othering from one group to another in different historical contexts.
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