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Nineteenth-Century Lives
In this unique collection of essays, ten distinguished critics and biographers consider what it means to narrate a life. Their illustrative texts are largely taken from nineteenth-century biography, autobiography, and the novel, but narrative is the broader genre that unites their various inquiries. The principal issues are framed by Margaret Atwood, J. Hillis Miller, and Phyllis Rose. Atwood compares and contrasts the biographer and the novelist as creators of narratives, emphasizing that the difference is in the "ground rules". Determining what these ground rules are is a recurring theme in these essays. Some of the subjects discussed are the boundaries of fact and fiction, the professed p...
Making the Difference
To mark the occasion of Baroness Williams' eightieth birthday in July 2010, Biteback is proud to publish a collection of essays by her peers, contemporaries and proteges on the themes and issues she has campaigned on during the course of an inspirational career in politics spanning five decades. Contributors include Rosie Boycott, Vince Cable, Menzies Campbell, Germaine Greer, Jeremy Greenstock, Polly Toynbee, Roy Hattersley, Edna Healey, David Owen, Bill Rodgers, Peter Mandelson, David Steel, John Major, Chris Patten, Tony King, Helena Kennedy, Charles Kennedy, Peter Hennessy, Richard Harries, Roger Liddle, Robert Reich and Crispin Tickell.
A Century of British Painters
In the 1860s, the brothers Richard and Samuel Redgrave sat down to write the book that was, in effect, the first popular account of British painting. With remarkable industry, they examined and sifted through the earlier studies and documentary sources while also contributing a great deal of firsthand knowledge. Many of the artists of the time were personal friends or acquaintances, and Richard Redgrave was a member of the Royal Academy.
