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Dictee
This autobiographical work is the story of several women. Deploying a variety of texts, documents and imagery, these women are united by suffering and the transcendance of suffering.
Dictee
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Theresa Hak Kyung Cha in Black and White
Theresa Hak Kyung Cha in Black and White explores the relation between text, author, and reader – a nexus theorized as the 'apparatus' in Cha's study of cinema – by tracing two key literary intertexts in Dictée: Henry James's 'The Jolly Corner,' a submerged literary resonance in Apparatus, Cha's anthology of film theory, and the writing of Saint Thérèse of Lisieux, a primary intertext at the heart of Dictée. In Cha's film theory, black and white is the flicker of the cinematic apparatus, and the Elements readings consider this contrasting palette in self-reflexive portraits in black and white. This study reads flashes of identification, often in punishing self-encounters, and it dwells on the figure of the martyr to arrive at the death of Theresa Hak Kyung Cha, the patron saint of artists and scholars fascinated by her art and her suffering.
The Dream of the Audience
Performance art, video, ceramics, mail and stamp art, artist's books, and works on paper are part of the range of pioneering and influential work by Korean American artist Theresa Hak Kyung Cha that are showcased with scholarly essays in this exhibition catalog.
Exilee and Temps Morts
In her radical exploration of cultural and personal identity, the writer and artist Theresa Hak Kyung Cha sought “the roots of language before it is born on the tip of the tongue.” Her first book, the highly original postmodern text Dictee, is now an internationally studied work of autobiography. This volume, spanning the period between 1976 and 1982, brings together Cha’s previously uncollected writings and text-based pieces with images. Exilee and Temps Morts are two related poem sequences that explore themes of language, memory, displacement, and alienation—issues that continue to resonate with artists today. Back in print with a new cover, this stunning selection of Cha’s works gives readers a fuller view of a major figure in late twentieth-century art. Copublished by Berkeley Art Museum and Pacific Film Archive
Theresa Hak Kyung Cha, Berkeley, 1968
Première publication dédiée à l'oeuvre singulière de l'artiste coréenne-américaine Theresa Hak Kyung Cha (1951-1982), à la croisée de la performance, de l'art conceptuel, de la vidéo et de la poésie, dont l'un des motifs principaux concerne sa représentation de l'Histoire, marquée par l'expérience de l'exil et de la migration, de la dislocation temporelle, culturelle, géographique et sociale.
Apparatus
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She Follows No Progression
"Reflects on the plurality of Theresa Hak Kyung Cha (1951-1982)'s work and legacy, collecting essays, personal narratives, poems, conversations, letters, and the extratextual in a reader that attests to Cha's genre-bending vision and political imagination. The writers, scholars, organizers, and educators collected here, each unique in their voice and method, multiply approaches to language, colonial history, migration, and time in dialogue with Cha's unequivocally interdisciplinary practice. Their contributions traverse subjects from Asian American studies to literary history, translation, film theory, and experimental poetics, while attending to the gaps between these fields and the intractable enganglements of race, class, and gender that underlie them."--Back cover.
Everybody's Autonomy
Everybody's Autonomy is about reading and identity. Experimental texts empower the reader by encouraging self-governing approaches to reading and by placing the reader on equal footing with the author.
