You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Pulsações e desdobramentos: vozes femininas apresenta produções visuais e produções textuais de acadêmicas vinculadas ao Instituto de Artes da Universidade Federal do Rio Grande do Sul (UFRGS).
The revolutionary legacy of Alexandra Kollontai (1872-1952) has slipped into relative obscurity. This is somewhat surprising, because she was a voluminous writer - on politics, Marxist theory, country-specific economic studies, and the women's question. She left letters, diaries, memoirs and pamphlets, theoretical tracts, articles, and creative literature. She authored two novels, The Love of Worker Bees and Red Love, which explored issues of love and socialist morality. Kollontai was resolutely opposed to bourgeois feminism, the term used to demarcate a form of feminism that was anti-Marxist and that drove an agenda of free love. She was, however, perhaps the only one amongst a small group ...
A comprehensive compendium of renowned art historian Linda Nochlin's work, including her landmark essays on the position and influence of women artists. Linda Nochlin was one of the most accessible, provocative, and innovative art historians of our time. In 1971, she published “Why Have There Been No Great Women Artists?”—a dramatic feminist call to arms that questioned traditional art historical practices and led to a major revision of the discipline. Now available in paperback, Women Artists brings together twenty-nine essential essays from throughout Nochlin's career. Included are her major thematic texts "Women Artists After the French Revolution" and "Starting from Scratch: The Beginnings of Feminist Art History," as well as her landmark 1971 essay and its rejoinder, " 'Why Have There Been No Great Women Artists?' Thirty Years After." These appear alongside monographic entries focusing on a selection of major women artists, including Mary Cassatt, Louise Bourgeois, Cecily Brown, Kiki Smith, Miwa Yanagi, and Sophie Calle.
This book is about one of the most remarkable European politicians of recent decades, Silvio Berlusconi, and about his contribution to the dramatic changes that have overtaken Italian politics since the early 1990s. From the vantage point of 2017, would Italian political history of the past twenty-five years look substantially different had Berlusconi not had the high-profile role in it that he did? Asking the question makes it possible to contribute to a broader debate of recent years concerning the significance of leaders in post-Cold War democratic politics. Having considered Berlusconi’s legacy in the areas of political culture, voting and party politics, public policy and the quality of Italian democracy, the book concludes by considering the international significance of the Berlusconi phenomenon in relation to the recent election of Donald Trump, with whom Berlusconi is often compared.
"Why Have There Been No Great Women Artists?" asked the prominent art historian Linda Nochlin in a provocative 1971 essay. Today her insightful critique serves as a benchmark against which the progress of women artists may be measured. In this book, four prominent critics and curators describe the impact of women artists on contemporary art since the advent of the feminist movement.
This work has true international scope, being a unique European/American joint venture that focuses on the state of the art in both diagnostic and therapeutic radionuclide methodology. Pertinent clinical applications are emphasized rather than attempting to cover everything included in the several large comprehensive texts available in our field. This "practical" approach should make it an essential guide to nuclear medicine physicians, technologists, students and interested clinicians alike.
None
None
Speaking is an introduction to the philosophy of language from an existential and phenomenological point of view. Gusdorf's central concern is to analyze speech within the context of human reality. Speech is an abstraction, but speaking is not, he says. Speaking expresses the experimental and dialectical relation of man, nature, and society. It is through speaking that nature is sublimated into the meant and expressive world of human reality.