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In 1989 alone, for example, there were some forty-five major motion pictures which were sequels or part of a series. The film series phenomenon crosses all genres and has been around since the silent film era. This reference guide, in alphabetical order, lists some 906 English Language motion pictures, from 1899 to 1990, when the book was initially published. A brief plot description is given for each series entry, followed by the individual film titles with corresponding years, directors and performers. Animated pictures, documentaries and concert films are not included but movies released direct to video are.
A filmography of Blacks in the film industry
An iconic member of the counter-culture comedy duo traces their story from their introduction at a Vancouver comedy club to their renowned stand-up routines and movies to the drug controversies that marked their careers and their acrimonious separation.
The 1980s had more than its share of both emerging stars and final tributes paid to luminaries, as well as smash hits and bombs, memorable and boring performances, and new trends and tried-and-true formula offerings. The Film of the Eighties includes numerous examples of all of these. Each entry has the year of release, production company, country of origin (U.S., U.K., Australian, Canadian), leading performers and the characters they portrayed, and comprehensive credits. A brief description, review, and evaluation of the film's cinematic values (if any) are also provided.
In Global Hakka: Hakka Identity in the Remaking Jessieca Leo offers a needed update on Hakka history and a reassessment of Hakka identity in the global and transnational contexts. Leo gives fresh insights into concepts such as ethnicity, identity, Han, Chineseness, overseas Chinese, and migration in relation to Hakka identity. Globalization, transnationalism, deterritorialization and migration drive the rapid transformation and reformation of Hakka identity to the point of no return. Dehakkalization through cultural adaptation or genetic transfer has created an elastic identity in the global Hakka and different kinds of Hakka communities around the world. Jessieca Leo convincingly shows that...
The weekly source of African American political and entertainment news.
A Chinese Reformer in Exile is an encyclopaedic reference work documenting the exile years of imperial China’s most famous reformer, Kang Youwei, and the political organization he mobilized in North America and worldwide to transform China’s autocratic empire into a constitutional monarchy. Chinese in Canada, the United States, and Mexico formed at least 160 Chinese Empire Reform Association chapters, incorporating schools, newspapers, military academies, women’s associations, businesses, and political pressure campaigns. Based on Robert Worden’s 1972 Georgetown University Ph.D. dissertation, a multinational team of historians contribute new insights from 50 years of additional scholarship and previously unknown archival materials.
First came video and more recently high definition home entertainment, through to the internet with its streaming videos and not strictly legal peer-to-peer capabilities. With so many sources available, today’s fan of horror and exploitation movies isn’t necessarily educated on paths well-trodden — Universal classics, 1950s monster movies, Hammer — as once they were. They may not even be born and bred on DAWN OF THE DEAD. In fact, anyone with a bit of technical savvy (quickly becoming second nature for the born-clicking generation) may be viewing MYSTICS IN BALI and S.S. EXPERIMENT CAMP long before ever hearing of Bela Lugosi or watching a movie directed by Dario Argento. In this world, H.G. Lewis, so-called “godfather of gore,” carries the same stripes as Alfred Hitchcock, “master of suspense.” SPINEGRINDER is one man’s ambitious, exhaustive and utterly obsessive attempt to make sense of over a century of exploitation and cult cinema, of a sort that most critics won’t care to write about. One opinion; 8,000 reviews (or thereabouts.
The Afterthought brings back into focus the psychedelic sixties in all of their purple-haze glory, as seen through the eyes of legendary west coast music promoter and entrepreneur Jerry Kruz. Using the historical posters as a timeline, Kruz's recollections are a celebration of the resiliency of Woodstock-era arts and culture and foundational musical acts like the Grateful Dead, Janis Joplin, Steve Miller, The Collectors (Chilliwack), Tom Northcott Trio, Country Joe & the Fish and many more. Complete with selected discographies and band biographies for many of the musical acts included in the book, The Afterthought is illustrated throughout with selections from the folk-inspired and psychedelia-fuelled artwork of legendary artists Bob Masse and Frank Lewis.