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In this book, Thomas J. Connelly draws on a number of key psychoanalytic concepts from the works of Jacques Lacan, Slavoj Žižek, Joan Copjec, Michel Chion, and Todd McGowan to identify and describe a genre of cinema characterized by spatial confinement. Examining classic films such as Alfred Hitchcock's Rope and Stanley Kubrick's The Shining, as well as current films such as Room, Green Room, and 10 Cloverfield Lane, Connelly shows that the source of enjoyment of confined spaces lies in the viewer's relationship to excess. Cinema of Confinement offers rich insights into the appeal of constricted filmic spaces at a time when one can easily traverse spatial boundaries within the virtual reality of cyberspace.
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Winner of the Fletcher Pratt Award and the Jefferson Davis Award A companion volume to Army of the Heartland Near the end of 1862 the Army of Tennessee began a long and frustrating struggle against overwhelming obstacles and ultimate defeat. Federal strength was growing, and after the Confederate surrender at Vicksburg, the total Union effort became concentrated against the Army of Tennessee. In the face of these external military problems, the army was also plagued with internal conflict, continuing command discord, and political intrigue. In Autumn of Glory, the final volume of Thomas Lawrence Connelly’s definitive history of one of the Confederacy’s two major military forces, Connelly...