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Who I Killed at Camp Last Summer
Who I Killed at Camp Last Summer takes a first-person approach to the slasher genre, entirely from the killer’s perspective. It centers on a pair of horror-fanatic siblings, Ashley and Alex Byer, who attend a two-week summer camp with their school. The outlook of their adventure turns grim, however, when campers start dying in supposed accidents. The deaths are reminiscent of a previous camp, which got decimated by another killer some twenty years before. Soon many campers die, and no one is safe, as an old evil seems to have returned. This unique tale plays with the typical horror summer camp tropes and uses them in new and fun ways, while also touching on difficult human issues such as depression, identity, and the struggle of belonging, in a way no reader will ever forget.
The Reformist Ideas of Samuel Johnson
This book explores what remains an under-studied aspect of Samuel Johnson’s profile as a person and writer – namely, his attitude to social improvement. The interpretive framework provided here is cross-disciplinary, and applies perspectives from social and cultural history, legal history, architectural history and, of course, English literature. This allows Johnson’s writings to be read against the peculiarities of their historical milieu, and reveals Johnson in a new light – as an advocate of social improvement for human betterment. Considering the multiplicity of narrative modes that have been employed, the book points to the blurred boundaries and overlapping between history, testimony and fiction, and argues that a future biography of Samuel Johnson has to recognise that throughout his life he valued the utilitarian aspect of his manifesto as a writer to impart a more charitable attitude in the pursuit of a more caring society.
Reconsidering Biography
Although Sir John Hawkins's Life of Johnson has long been an essential source for readers interested in Samuel Johnson, for over two hundred years now Hawkins's biography has been systematically misread, misinterpreted, and misunderstood. Reconsidering Biography opens a long-needed critical debate on Hawkins's achievement as a biographer, and in the process argues for important changes in prevailing scholarly views of Hawkins, Johnson, and English biography itself.
Separate Theaters
"This specifically "literary" historical study situates the rather sudden emergence of madhouses ("Bedlam") on the Shakespearean stage in the sophisticated literary dispute known as the "Poets' War," wherein various dramatists, particularly Jonson and Shakespeare, argued about what drama was supposed to be. "Madness" became a rhetorical battleground of artistic ideas, and that dispute, rather than any desire to represent the actual hospital, led to the appearance of "Bedlam" on the stage."
Swift and Others
Explores the impact of the great satirist Jonathan Swift on other writers of the English Augustan tradition.
Writing a War of Words
Writing a War of Words is the first exploration of the war-time quest by Andrew Clark - a writer, historian, and volunteer on the first edition of the Oxford English Dictionary - to document changes in the English language from the start of the First World War up to 1919. Clark's unique series of lexical scrapbooks, replete with clippings, annotations, and real-time definitions, reveals a desire to put living language history to the fore, and to create a record of often fleeting popular use. The rise of trench warfare, the Zeppelinophobia of total war, and descriptions of shellshock (and raid shock on the Home Front) all drew his attentive gaze. The archive includes examples from a range of ...
Samuel Johnson, the Ossian Fraud, and the Celtic Revival in Great Britain and Ireland
James Macpherson's famous hoax, publishing his own poems as the writings of the ancient Scots bard Ossian in the 1760s, remains fascinating to scholars as the most successful literary fraud in history. This study presents the fullest investigation of his deception to date, by looking at the controversy from the point of view of Samuel Johnson. Johnson's dispute with Macpherson was an argument with wide implications not only for literature, but for the emerging national identities of the British nations during the Celtic revival. Thomas M. Curley offers a wealth of genuinely new information, detailing as never before Johnson's involvement in the Ossian controversy, his insistence on truth-telling, and his interaction with others in the debate. The appendix reproduces a rare pamphlet against Ossian written with the assistance of Johnson himself. This book will be an important addition to knowledge about both the Ossian controversy and Samuel Johnson.
Miniature and the English Imagination
Examines the practice and purposes of presenting the small-scale in literature, material culture and theories of cognition.
