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Novelists, artists, and philosophers of the eighteenth century understood pleasure as a virtue—a gift to be shared with one’s companion, with a reader, or with the public. In this daring new book, Thomas Kavanagh overturns the prevailing scholarly tradition that views eighteenth-century France primarily as the incubator of the Revolution. Instead, Kavanagh demonstrates how the art and literature of the era put the experience of pleasure at the center of the cultural agenda, leading to advances in both ethics and aesthetics. Kavanagh shows that pleasure is not necessarily hedonistic or opposed to Enlightenment ideals in general; rather, he argues that the pleasure of individuals is necessary for the welfare of their community.
This collection of eight essays by some of today's most innovative and seminal thinkers argues that there is a limit beyond which the enterprise of literary theory becomes something different from what it presents itself as being. These writers ask, in different ways, how theory functions and how it might preserve within its own practices and effects the freedom of reading, the presence of the real, and the challenge of a voice speaking outside the rhetorics of mastery.
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A synthesis of eighteenth-century intellectual and cultural developments that offers an original explanation of how Enlightenment thought grappled with the problem of divine agency. Why is the world orderly, and how does this order come to be? Human beings inhabit a multitude of apparently ordered systems—natural, social, political, economic, cognitive, and others—whose origins and purposes are often obscure. In the eighteenth century, older certainties about such orders, rooted in either divine providence or the mechanical operations of nature, began to fall away. In their place arose a new appreciation for the complexity of things, a new recognition of the world’s disorder and random...