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This book is for policy-makers navigating the digital transformation. Global governance is needed to mitigate the disproportionate risks of artificial intelligence but is in a state of deep crisis. Revisiting the era of telecommunication monopolies, this book argues that today’s return of sovereignty resembles the great reregulation, but of the entire digital economy. Breaking through the previous asymmetrical distribution of technology and institutional power, China threatens the United States’ technology hegemony. The task is to avert from the straitjacket of hyperdigitalization without causing new silos.
The concept of »postmigration« has recently gained importance in the context of European societies' obsession with migration and integration along with emerging new forms of exclusion and nationalisms. This book introduces ongoing debates on the developing concept of »postmigration« and how it can be applied to arts and culture. While the concept has mainly gained traction in the cultural scene in Berlin, Germany, the contributions expand the field of study by attending to cultural expressions in literature, theatre, film, and art across various European societies, such as the United Kingdom, France, Finland, Denmark, and Germany. By doing so, the contributions highlight this concept's potential and show how it can offer new perspectives on transformations caused by migration.
This study analyzes how the imagination of the epic genre as legitimately legitimating community also unleashes an ambivalence between telling coherent ‐ and hence legitimating ‐ stories of political community and narrating open-ended stories of contingency that might de-legitimate political power. Manifest in eighteenth-century poetics above all in the disjunction between programmatic definitions of the epic and actual experiments with the genre, this ambivalence can also arise within a single epic over the course of its narrative. The present study thus traces how particular eighteenth-century epics explore an originary incompleteness of political power and its narrative legitimations....
What’s new in Translation Studies? In offering a critical assessment of recent developments in the young discipline, this book sets out to provide an answer, as seen from a European perspective today. Many “new” ideas actually go back well into the past, and the German Romantic Age proves to be the starting-point. The main focus lies however on the last 20 years, and, beginning with the cultural turn of the 1980s, the study traces what have turned out since then to be ground-breaking contributions (new paradigms) as against what was only a change in position on already established territory (shifting viewpoints). Topics of the 1990s include nonverbal communication, gender-based Translation Studies, stage translation, new fields of interpreting studies and the effects of new technologies and globalization (including the increasingly dominant role of English). The author’s aim is to stimulate discussion and provoke further debate on the current profile and future perspectives of Translation Studies.
Present Your Research to the World! The World Congress 2009 on Medical Physics and Biomedical Engineering – the triennial scientific meeting of the IUPESM - is the world’s leading forum for presenting the results of current scientific work in health-related physics and technologies to an international audience. With more than 2,800 presentations it will be the biggest conference in the fields of Medical Physics and Biomedical Engineering in 2009! Medical physics, biomedical engineering and bioengineering have been driving forces of innovation and progress in medicine and healthcare over the past two decades. As new key technologies arise with significant potential to open new options in ...
This introduction to networking on Linux now covers firewalls, including the use of ipchains and Netfilter, masquerading, and accounting. Other new topics in this second edition include Novell (NCP/IPX) support and INN (news administration).
Richard Wagners Reform des Musiktheaters beruht auf der neuen Auffassung von menschlicher Subjektivität, die in der Anthropologie, Philosophie und Literatur der deutschen Romantik entwickelt wird – so die These dieser interdisziplinär angelegten Studie, die nicht nur die Libretti Wagners in den Blick nimmt, sondern auch seine ästhetischen Schriften und Partituren. Sie zeigt, wie Wagner die in der Romantik entwickelte Dichotomie von Unbewusstem und Bewusstsein verarbeitete und zu einem neuen Musiktheater gelangte, das auf folgende Generationen großen Einfluss ausübte. Der Studie lässt Wagners Mythos-Begriff ebenso in einem neuen Licht erscheinen wie das intermediale Wechselspiel von Blick und Erzählung in den Musikdramen. Erstmals wird Wagners Konzeption zentraler anthropologischer Begriffe wie Identität, Erinnerung und Gedächtnis eingehend analysiert. Da die Untersuchung die romantischen Quellen auf breiter Basis einbezieht, kann sie bisher unbekannte Verbindungen zwischen der romantischen Literatur (Hoffmann, Kleist), Philosophie (Schelling) und Anthropologie (Schubert) und dem Werk Richard Wagners sichtbar machen.
This book documents Radio Revolten, the international radio-art festival in Halle, Germany, which took place in October 2016 and featured an independent station, installations, live performances, conferences, workshops and public interventions.
This book offers a compelling study of contemporary developments in European migration studies and the representation of migration in the arts and cultural institutions. It introduces scholars and students to the new concept of ‘postmigration’, offering a review of the origin of the concept (in Berlin) and how it has taken on a variety of meanings and works in different ways within different national, cultural and disciplinary contexts. The authors explore postmigrant theory in relation to the visual arts, theater, film and literature as well as the representation of migration and cultural diversity in cultural institutions, offering case studies of postmigrant analyses of contemporary works of art from Europe (mainly Denmark, Germany and Great Britain).
"The Flying Mountain tells the story of two brothers who leave the southwest coast of Ireland on an expedition to Transhimalaya, the land of Kham, and the mountains of eastern Tibet--looking for an untamed, unnamed mountain that represents perhaps the last blank spot on the map. As they advance toward their goal, the brothers find their past, and their rivalry, inescapable, inflecting every encounter and decision as they are drawn farther and farther from the world they once knew"--Jacket.