Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Heroines of Henry Longfellow
Henry Wadsworth Longfellow’s poems are filled with powerful heroines, from Evangeline, the exiled wanderer, to Vittoria Colonna, the aging genius of the Italian renaissance. In The Heroines of Henry Longfellow: Domestic, Defiant, Divine, Timothy E. G. Bartel provides a survey of Longfellow’s major heroines, placing them in the context of Longfellow’s body of work and the poet’s interests in theology, politics, and history. Though Longfellow’s heroines have sometimes been dismissed as mere domestic caricatures, Bartel argues that Longfellow’s heroines are nothing of the sort. Instead, they provide us with unique pictures of how one’s individual talents and desires can be harmonized with the Christian ideals of communal justice, ethical living, and ultimate union with the Divine.
Aflame But Unconsumed
Tim Bartel has revolted against the mid-twentieth century rebellion which crowned "free" verse as thelanguage of poetry in America. Like Milton's Abdiel, the punk angel who "defies Satan to his face," inthis book Bartel ditches both the slack idiom and the conventional subjects of poetry. He writes scathing directions for "How to Destroy a Relic," a hilarious description of how to get a child to sleep, and a precise explanation of how to rehabilitate a G. I. Joe doll. Then there's the sonnet about physics and the sonnet about epistemology. In a stunning paradox, he argues, "The freest speech takes longest to be freed." You should read this; it is one surprising, smart book. -Jeanne Murray Wa...
The Poets and the Fathers
Christian poetry was born at the crossroads of the Greek, Hebrew, Roman, and Syrian cultures of late antiquity. Pioneered by poets like Ephrem the Syrian, Gregory Nazianzus, and Prudentius, a uniquely Christian poetry—and poetics—has flourished across history into the twenty-first century. In this series of essays, poet and literary scholar Timothy E. G. Bartel explores the often-overlooked genesis of Christian poetry in the fourth century AD, with a special emphasis on the poetics and cultural-theological vision of St. Gregory Nazianzus. Bartel then traces the influence of the inventors of Christian poetry to poets of more recent centuries, including Elizabeth Barrett Browning, Henry Wadsworth Longfellow, T. S. Eliot, C. S. Lewis, and Scott Cairns. It is in these poets of the last three centuries that we see the continual outworking of the ancient Christian poetic project and a blueprint for the future of a literature that continues to learn from the church fathers and the theological traditions of Christianity.
The Poets and the Fathers
Christian poetry was born at the crossroads of the Greek, Hebrew, Roman, and Syrian cultures of late antiquity. Pioneered by poets like Ephrem the Syrian, Gregory Nazianzus, and Prudentius, a uniquely Christian poetry--and poetics--has flourished across history into the twenty-first century. In this series of essays, poet and literary scholar Timothy E. G. Bartel explores the often-overlooked genesis of Christian poetry in the fourth century AD, with a special emphasis on the poetics and cultural-theological vision of St. Gregory Nazianzus. Bartel then traces the influence of the inventors of Christian poetry to poets of more recent centuries, including Elizabeth Barrett Browning, Henry Wadsworth Longfellow, T. S. Eliot, C. S. Lewis, and Scott Cairns. It is in these poets of the last three centuries that we see the continual outworking of the ancient Christian poetic project and a blueprint for the future of a literature that continues to learn from the church fathers and the theological traditions of Christianity.
A Crown for Abba Moses
Mature poetic craft deftly does its job on every page of this gathering of new and selected poems. Timothy E. G. Bartel knows precisely how to use ageless poetic tools -- metrics, metaphor, allusion -- to elicit ageless responses from us: joy, grief, wonder. He brings gentle humor, wide curiosity, and an understanding of human nature to the task. Really, what more can we ask of poetry? -- Jane Greer, author of The World as We Know It Is Falling Away When Moses had escaped from slavery (Many years before he was called Abba) He settled on the best course for his life: To be a thief and lead a crew of thieves. So begins Timothy E. G. Bartel's series of sonnets on Moses the Ethiopian, one of the...
Glimpses of Her Father’s Glory
Henry Wadsworth Longfellow's Evangeline was a bestseller in nineteenth-century America, inspiring generations of readers with a heroine who overcomes colonial violence and exile in her romantic and spiritual quest across America. Long ignored by modernist scholars, Evangeline is finally getting the critical attention it deserves. Drawing on original research in Longfellow's scholarly manuscripts, Bartel explores the theological sources and spiritual world of Evangeline, arguing that Longfellow was inspired by the church fathers to craft Evangeline into a heroine who uniquely exemplifies, in her epic quest, the ancient Christian doctrines of deification and divine light. Bartel's Glimpses of Her Father's Glory returns Evangeline to its rightful place as a major poem of American literature, one that takes as its theme nothing less than the ultimate purpose of human existence.
Glimpses of Her Father's Glory
Henry Wadsworth Longfellow’s Evangeline was a bestseller in nineteenth-century America, inspiring generations of readers with a heroine who overcomes colonial violence and exile in her romantic and spiritual quest across America. Long ignored by modernist scholars, Evangeline is finally getting the critical attention it deserves. Drawing on original research in Longfellow’s scholarly manuscripts, Bartel explores the theological sources and spiritual world of Evangeline, arguing that Longfellow was inspired by the church fathers to craft Evangeline into a heroine who uniquely exemplifies, in her epic quest, the ancient Christian doctrines of deification and divine light. Bartel’s Glimpses of Her Father’s Glory returns Evangeline to its rightful place as a major poem of American literature, one that takes as its theme nothing less than the ultimate purpose of human existence.
The Temple
None
Arroyos
None
A Critical Companion to Terrence Malick
From the dust of the Montana plains to the farthest reaches of the cosmos, Terrence Malick’s films have enchanted audiences with transcendent images of nature, humanity, and grace for nearly fifty years. The contributors in this volume explore the profound implications of Malick’s stories, images, processes, and convictions as they offer comprehensive studies of the ten completed films of Terrence Malick. Each chapter takes a reflective and retrospective approach, considering new interpretations and frameworks for understanding Malick's unique creative choices. Drawing from a range of diverse academic disciplines, the collection analyzes the groundbreaking qualities of his cinematic style and the philosophical underpinnings that permeate his work. Rigorously researched and unique, the arguments presented within this volume shed new light on Malick and the cinematic medium.
