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I dont have a brother. You do actually. Me. My dad told me about you. Youre not really my sister, of course, but our destinies are entwined or something. Were going to rule the world. Alice has a battle ahead of her, but shes a long way from ready to do it. To fight the forces working against her, she must die, find her brother, avoid her sister, discover the secrets behind her parents bizarre relationships, and die again. And again. And if shes going to win, theres going to be a lot of bloodshed, and not all of it will be on the losing side.
"Containing cases decided by the Supreme Court of Pennsylvania." (varies)
On 3 November 2007, the Royal Zoological Society of NSW held its annual forum, with the topic being The natural history of Sydney. It has remained as the title of this book. The program contained the following introduction as the theme of the forum and it has remained as the theme for this book: “Sydney has a unique natural history, providing a home for iconic animals and plants while remaining a global city. It captured the imagination of prominent naturalists and inspired visits and collecting trips to the infant colony of New South Wales in the late 1790s and early to late 1800s. From these collections flowed great descriptive works detailing the new and unusual animals and plants of th...
Leading interventional cardiologists, including Patrick Serruys, provide the gold-standard reference on the treatment of restenosis for interventional cardiologists. Dr. Serruys, who pioneered the use of drug-eluting stents, and other pioneers in the field, cover everything from non-invasive imaging, to eluting stents, to brachytherapy through to the latest molecular biology-based treatments including antisense, stem cells and gene therapy.
This book examines the use of image and text juxtapositions in conceptual art as a strategy for challenging several ideological and institutional demands placed on art. While conceptual art is generally identified by its use of language, this book makes clear exactly how language was used. In particular, it asks: How has the presence of language in a visual art context changed the ways art is talked about, theorised and produced? Image and Text in Conceptual Art demonstrates how artworks communicate in context and evaluates their critical potential. It discusses international case studies and draws resources from art history and theory, philosophy, discourse analysis, literary criticism and social semiotics. Engaging the critical and social dimensions of art, it proposes three methods of analysis that consider the work’s performative gesture, its logico-semantic relations and the rhetorical operations in the discursive creation of meaning. This book offers a comprehensive method of analysis that can be applied beyond conceptual art.
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