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The Real Fighting Stuff
Tobias Capwell looks at the different types of armour in Glasgow museums, the stories behind some of the weapons, and explores some of the myths surrounding the way we used to fight.
The Noble Art of the Sword
Accompanying a major international exhibition at the Wallace Collection (May - September 2012), this book celebrates the artistic and cultural importance of the sword, as a symbol of power and prestige, as a flamboyant fashion statement and as an icon of the Age of Discovery. It will feature weapons and related works of art from the Wallace Collection as well as other great collections of arms and armor; never-before-seen illustrated works on fencing drawn from the library of the 8th Lord Howard de Walden; and portraits, prints, and drawings that will help place the Renaissance civilian sword in its social and artistic context. It will also explore the ancient origins of the modern sport of fencing, one of only nine original Olympic events practiced since the first Olympiad of the modern era of 1896, revealing a place in history where art and sport converged.
Masterpieces of European Arms and Armour in the Wallace Collection
"With its selection of masterpieces of European arms and armour, this book provides both an overview of some of the treasures of the collection and a wonderful survey of European arms and armour. I hope it will whet the appetite of readers to want to move on to our new Complete Digital Catalogue of European Arms and Armour in the Wallace Collection, with its more than 7000 stunning photographs and full texts of all the previous catalogues."--"Director's foreword", p. 7.
Arms and Armour of the Medieval Joust
Jousting is the most iconic form of mounted combat. For more than five hundred years, the sport itself, and the chivalric culture that surrounded it, took on almost mythical qualities. Here, Tobias Capwell explains the glitz and glamour of a sport that attracted enormous popular audiences throughout the Middle Ages and the Renaissance. Though he deals almost exclusively with weapons and warriors, Capwell tells a story not of war and destruction, but of pageantry and valor. This is the story of the armor of peace.
Henry Moore
'The idea of one form inside another form may owe some of its incipient beginnings to my interest at one stage when I discovered armour. I spent many hours in the Wallace Collection, in London, looking at armour.' Henry Moore, 1980. Coinciding with the major exhibition of the same name, Henry Moore: The Helmet Heads traces the footsteps of the artist through the armouries of the Wallace Collection, where he encountered 'objects of power' that profoundly influenced his work for the rest of his career. Captivated by helmets in particular, Moore saw in them a fundamental form idea – an outer shell which could protect something vulnerable inside. Tobias Capwell identifies the specific helmets ...
Arms and Armour of the Renaissance Joust
The Renaissance is best known as an age of artists - Michelangelo, da Vinci, Titian and Holbein - but it is also the age of the noble patrons who challenged their painters and sculptors to create great art. These patrons were knights, military leaders and jousters. They played a central role in the story of another great Renaissance story, that of the armourer. 0Here, Tobias Capwell continues his history of jousting seen through surviving artefacts in the collection of the Royal Armouries. He reveals how the jousts and tournaments of the Renaissance transported knightly combat into a kind of performance art, with demonstrations of aristocratic skill and nerve, of superhuman strength and superlative horsemanship - and of cutting-edge equipment.
Pictorial History of Knives, Daggers and Bayonets
An authoritative history and visual directory of sharp-edged weapons and blades from around the world
Renaissance Combat
"Dierk Hagedorn continues to solidify his reputation as one of today's most talented authorities on German Fechtbücher with another superlative volume... Highly recommended for students of history, historical reenactors, and today's fighting practitioners." - Christian Henry Tobler Longsword instructor Dierk Hagedorn brings the work of one of the most prolific authors of 16th century fight books to a modern audience for the first time. Jörg Wilhalm’s teachings feature fighting techniques with the long sword, in armour and on horseback and combines the teachings of the famous fighting master Johannes Liechtenauer with those of his successors. Vividly illustrated throughout, each technique is rendered in detail that even modern practitioners will be able to easily follow. This book will appeal to enthusiasts of historical European martial arts, re-enactors, jousters, as well as art historians - particularly those with an interest in the armour and clothing of the 16th century. Comprehensive in its scope, it is a striking and fascinating insight into the ancient art of swordplay.
