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Against Affective Formalism
Machine generated contents note: -- Contents -- Acknowledgments -- List of Illustrations -- Introduction: Modernism against Representation -- 1. Painting as Affect Machine -- 2. Freedom and Memory: Bergson's Theory of Hypnotic Agency -- 3. The Influence of Others: Matisse and Personnalite -- 4. Matisse and Mimesis -- Conclusion. From Art to Object: The Case of Paul Valery -- Notes -- Index.
Red Aesthetics
Red Aesthetics offers a new way to think about art and politics, focusing on the revolutionary work of Aleksandr Rodchenko, Bertolt Brecht, and Sergei Eisenstein between the wars. Todd Cronan shows how these three artists’ photographs, dramas, films, and writings—centered on class conflict—differ from current left orthodoxies rooted in empathy. Writing against liberal pieties, Cronan contends, following Brecht, that empathy is not the solution to our problems, but more like the source of them.
Through Vincent's Eyes
A revelatory resituation of Van Gogh's familiar works in the company of the surprising variety of nineteenth-century art and literature he most revered Vincent van Gogh's (1853-1890) idiosyncratic style grew out of a deep admiration for and connection to the nineteenth-century art world. This fresh look at Van Gogh's influences explores the artist's relationship to the Barbizon School painters Jean-François Millet and Georges Michel--Van Gogh's self-proclaimed mentors--as well as to Realists like Jean-François Raffaëlli and Léon Lhermitte. New scholarship offers insights into Van Gogh's emulation of Adolphe Monticelli, his absorption of the Hague School through Anton Mauve and Jozef Isra...
After Art
How digital networks are transforming art and architecture Art as we know it is dramatically changing, but popular and critical responses lag behind. In this trenchant illustrated essay, David Joselit describes how art and architecture are being transformed in the age of Google. Under the dual pressures of digital technology, which allows images to be reformatted and disseminated effortlessly, and the exponential acceleration of cultural exchange enabled by globalization, artists and architects are emphasizing networks as never before. Some of the most interesting contemporary work in both fields is now based on visualizing patterns of dissemination after objects and structures are produced,...
Domination and Emancipation
A melancholy defeatism has become a hallmark of critical thought and leftist politics. A consequence of this has been an exaggerated focus on domination among critical theorists, leaving emancipation—along with questions of political organization and strategy—undertheorized at best, or disregarded as delusional, at worst. If emancipation still plays a role in critical reflection, it is most often in a “domesticated” form, made into a bedfellow of centrist liberalism. Recent events necessitate a different outlook, especially since the financial collapse of 2008 and the myriad movements—emancipatory as much as reactionary—it has spawned throughout the world. Through a series of dialogues and reflections by leading thinkers, scholars, and activists, Domination and Emancipation: Remaking Critique seeks to rebuild the emancipatory pole of critique and bring forward theoretical work that is in step with the struggles and aspirations of the moment.
Nothing Permanent
A critical look at the competing motivations behind one of modern architecture’s most widely known and misunderstood movements Although “mid-century modern” has evolved into a highly popular and ubiquitous architectural style, this term obscures the varied perspectives and approaches of its original practitioners. In Nothing Permanent, Todd Cronan displaces generalizations with a nuanced intellectual history of architectural innovation in California between 1920 and 1970, uncovering the conflicting intentions that would go on to reshape the future of American domestic life. Focusing on four primary figures—R. M. Schindler, Richard Neutra, and Charles and Ray Eames—Nothing Permanent...
See the Light
"Published in conjunction with the exhibition See the Light--Photography, Perception, Cognition: The Marjorie and Leonard Vernon Collection at the Los Angeles County Museum of Art, October 27, 2013-March 23, 2014"--
The Last Man Takes LSD
Foucault’s personal and political experimentation, its ambiguous legacy, and the rise of neoliberal politics Part intellectual history, part critical theory, The Last Man Takes LSD challenges the way we think about both Michel Foucault and modern progressive politics. One fateful day in May 1975, Foucault dropped acid in the southern California desert. In letters reproduced here, he described it as among the most important events of his life, one which would lead him to completely rework his History of Sexuality. That trip helped redirect Foucault’s thought and contributed to a tectonic shift in the intellectual life of the era. He came to reinterpret the social movements of May ’68 and reposition himself politically in France, embracing anti-totalitarian currents and becoming a critic of the welfare state. Mitchell Dean and Daniel Zamora examine the full historical context of the turn in Foucault’s thought, which included studies of the Iranian revolution and French socialist politics, through which he would come to appreciate the possibilities of autonomy offered by a new force on the French political scene that was neither of the left nor the right: neoliberalism.
Court of Lions
Two identical girls, one a princess, the other a rebel. Who will rule the empire? Amani must make a devastating choice between revolution and family in this sequel to the instant Sunday Times bestseller Mirage. After being swept up into the brutal Vathek court, Amani, the ordinary girl forced to serve as the half-Vathek princess's body double, has been forced into complete isolation. The cruel but complex princess, Maram, with whom Amani had cultivated a tenuous friendship, discovered Amani's connection to the rebellion and has forced her into silence, and if Amani crosses Maram once more, her identity - and her betrayal - will be revealed to everyone in the court. Amani is desperate to continue helping the rebellion, to fight for her people's freedom. But she must make a devastating decision: will she step aside, and watch her people suffer, or continue to aid them, and put herself and her family in mortal danger? And whatever she chooses, can she bear to remain separated, forever, from Maram's fiancé, Idris?
Kinaesthetic Knowing
Introduction: a peculiar experiment -- Kinaesthetic knowing: the nineteenth-century biography of another kind of knowledge -- Looking: Wölfflin's comparative vision -- Affecting: Endell's mathematics of living feeling -- Drawing: the Debschitz school and formalism's subject -- Designing: discipline and introspection at the Bauhaus -- Epilogue
