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Tom Bamberger
None
Wild Edges
Gregory Conniff's large-scale black and white pastoral images evoke the sensuality of nineteenth century photographic materials. In his affectionate and intelligent work, there is a visible connection to the history of landscape art, reaching back as far as Claude Lorrain and seventeenth-century Dutch drawing. Conniff is also a leading practitioner of a new pastoralism that is casting a contemporary eye on the current state of America's open land. Postmodern in the best sense, Conniff's pictures address the timeless human need to see beauty in the world that shapes our lives. A resident of Wisconsin for more than thirty years, Conniff has focused much of his artistic energy on the rural Midwest, exploring the interdependent relationship between land and people. For the past fifteen years, Conniff has also been making pictures of rural Mississippi, again focusing on elements of the landscape that resonate with a universal sense of aesthetic familiarity. As he explains, "I am interested in work that defines and protects the vanishing, commonplace beauties that let us know we're home."
Aging
None
We Are an African People
During the height of the Black Power movement of the late 1960s and 1970s, dozens of Pan African nationalist private schools, from preschools to post-secondary ventures, appeared in urban settings across the United States. The small, independent enterprises were often accused of teaching hate and were routinely harassed by authorities. Yet these institutions served as critical mechanisms for transmitting black consciousness. Founded by activist-intellectuals and other radicalized veterans of the civil rights movement, the schools strove not simply to bolster the academic skills and self-esteem of inner-city African-American youth but also to decolonize minds and foster a vigorous and regener...
Bright Balkan Morning
CD contains: Market Day in Jumaya -- Afternoon at Mahala Café -- At home in Mahala -- At church, Sunday, December 31 -- Pre-New Year's parties in Serres -- Parties for the new year in Sohos -- Taverna party at Nikisiani -- The road home.
At the Edge of the Light
"In these seven essays, revised, rewritten, and expanded from his lectures, David Travis presents his thoughts on some of his favorite subjects: Weston, Stieglitz, Kertesz, Brassai, and Strand. His knowledge is such (often enriched by firsthand acquaintance) that he can, and does, discuss more than images or personalities; he understands what informs the work, from what milieu it derives, under what influences it matured, how it evolved, and how it succeeded. He is an art historian willing to venture far beyond the periphery of traditional academic fences; to discuss number theory (quite literally), the mathematics of G.H. Hardy, the poetry of Rimbaud Valery, Rilke, and Goethe, the philosophy of Nietzsche, the extravagance of Henry Miller." --
A Companion to Digital Art
Reflecting the dynamic creativity of its subject, this definitive guide spans the evolution, aesthetics, and practice of today’s digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists. Showcases the critical and theoretical approaches in this fast-moving discipline Explores the history and evolution of digital art; its aesthetics and politics; as well as its often turbulent relationships with established institutions Provides a platform for the most influential voices shaping the current discourse surrounding digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists Tackles digital art’s primary practical challenges – how to present, document, and preserve pieces that could be erased forever by rapidly accelerating technological obsolescence Up-to-date, forward-looking, and critically reflective, this authoritative new collection is informed throughout by a deep appreciation of the technical intricacies of digital art
Meaning in Life and Why It Matters
A fresh reflection on what makes life meaningful Most people, including philosophers, tend to classify human motives as falling into one of two categories: the egoistic or the altruistic, the self-interested or the moral. According to Susan Wolf, however, much of what motivates us does not comfortably fit into this scheme. Often we act neither for our own sake nor out of duty or an impersonal concern for the world. Rather, we act out of love for objects that we rightly perceive as worthy of love—and it is these actions that give meaning to our lives. Wolf makes a compelling case that, along with happiness and morality, this kind of meaningfulness constitutes a distinctive dimension of a good life. Written in a lively and engaging style, and full of provocative examples, Meaning in Life and Why It Matters is a profound and original reflection on a subject of permanent human concern.
Scepticism, Knowledge, and Forms of Reasoning
"The problem of philosophical scepticism is not so much what to say about the view itself (there being a consensus that it should be rejected), but rather what to say about the arguments that purport to yield it. And since these arguments involve claims and principles concerning notions like knowledge and possibility, it is difficult to see how to explore the arguments without exploring these notions too."--from the Introduction How do we address philosophical arguments whose conclusions contradict our commonsense knowledge? For example: a logically impeccable argument that concludes that you cannot know that you are at this very moment reading a description of a book of philosophy. That is ...
Interactive Art and Embodiment
Nathaniel Stern's 'Interactive Art and Embodiment' defies the world of interactive art and new media from the perspective of the body and identity. It presents the ongoing and emergent processes of embodiment in art and includes immersive descriptions of interactive artworks.
