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Tom Klobe, founding director of the University of Hawai'i Art Gallery and emeritus professor, draws upon three decades of award-winning design work to produce a definitive text on what makes for compelling and unforgettable museum exhibitions
In November 1963, a bright Hawaiian morning is shattered by news of the assassination of the President. This marks the beginning of a journey to a remote Iranian village where a young American Peace Corps Volunteer sets out with rebellious tenacity to do what is right, unaware of America's loss of innocence-and his own. From a youthful determination to perpetuate Kennedy's legacy, to coping with the reality of America's faults and ambitions, to grappling with unfamiliar customs and languages, to discovering the friendship and love of Iranians, Tom Klobe discovers that being "Tom of Iran" is as fulfilling as being "American Tom."
"Collections: A Journal for Museum and Archives Professionals" is a multi-disciplinary peer-reviewed journal dedicated to the discussion of all aspects of handling, preserving, researching, and organizing collections. Curators, archivists, collections managers, preparators, registrars, educators, students, and others contribute.
Here are the stories about the people behind the camers who create television and movie film. The book progresses from the early “Silents'to films today, telling how TV and movies are created and the professional and personal lives of the poeple who create them. These are the people whose names appear on the credits that quickly roll by on the screen following the film'i>The Filmmakers.
Tom Klobe, founding director of the University of Hawai'i Art Gallery and emeritus professor, draws upon three decades of award-winning design work to produce a definitive text on what makes for compelling and unforgettable museum exhibitions. Exhibitions: Concept, Planning and Design presents the basics—the elements and principles of design, use of space, budgets and resources, lighting and wall labels, and more—as well as the inspiring.
Artists/Hawaii celebrates the fiftieth state's visual arts through the featured works and personal profiles of twenty-two of Hawaii's most respected contemporary artists. Artists from Oahu, Maui, Kauai, and Hawaii are profiled in this lavishly illustrated volume. From an original list of 160 artists working in a variety of media, the twenty-two chosen through peer selection describe in their own words their life, work, and reflections on the role of art in society. Each artist was interviewed by the editors and responded to a series of questions about their background, their style and medium, and how Hawaii has influenced their creative endeavors. These personal and revealing sketches are followed by four signature pieces of each artist's work. University of Hawaii art professors Tom Klobe and Duane Preble visited with each artist prior to selecting the works featured in this book. Two pieces were identified as "career best" and two as outstanding recent works. Artists/Hawaii presents a captivating visual statement of the remarkable individual style of these twenty-two artists.
Annotation The Shishu Ladies of Hilo traces the teaching of shishu (Japanese embroidery) in Hawai'i and describes in detail the modifications made to traditional motifs and materials. It is, however, much more than a historical record of a textile art form. It raises questions about the relationship between the women who made shishu, their ethnicity, and their needlework -- in short, the role of art in achieving ethnic identity.
Dante Alighieri’s long poem The Divine Comedy has been one of the foundational texts of European literature for over 700 years. Yet many mysteries still remain about the symbolism of this richly layered literary work, which has been interpreted in many different ways over the centuries. The Unexpected Dante brings together five leading scholars who offer fresh perspectives on the meanings and reception of The Divine Comedy. Some investigate Dante’s intentions by exploring the poem’s esoteric allusions to topics ranging from musical instruments to Roman law. Others examine the poem’s long afterlife and reception in the United States, with chapters showcasing new discoveries about Nico...
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Edward Weston (1886–1958) was one of the most celebrated photographers of the twentieth century. Jean Charlot (1898–1979), a classically trained French artist best known for his murals, woodcuts, and paintings celebrating Mexican culture, played a key role as a participant and chronicler of the Mexican Renaissance. This book, based on letters that Weston and Charlot exchanged from the early 1920s until Weston’s death in 1958, documents a friendship that says as much about art—about photography and fresco, practice, criticism, and history—as it does about the intersection of a number of fascinating characters, the ups and downs of the correspondents’ daily lives, the pursuit of their dreams and aspirations, and the support and encouragement they gave each other. Lew Andrews crafts a multivalent narrative that reconfigures our understanding of Weston, Charlot, and their era, shedding new light on specific events and artwork. While giving us rare insight into the everyday life of these artists, this work also supplies an important chapter in the history of twentieth-century art and photography, seen close up and from the inside.