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The Hidden Foundation
Ranging from the earliest days of the cinema to the present, The Hidden Foundation reestablishes class as a fundamental aspect of film history. Featuring prominent film scholars and historians, this volume is unique in its international scope, diversity of perspectives and methodologies, and the sweep of its analysis. The Hidden Foundation begins with a review of the history of class in social and political thought, going on to chronicle its disappearance from film and cultural studies. Subsequent essays consider topics ranging from American and Soviet silent film through Chinese and American film in the fifties, to the restructuring of the working class that was a feature of films of the 1980s in both the United States and Great Britain.
Politics, Ideology, and Literary Discourse in Modern China
This collection of essays addresses the perception that our understanding of modern China will be enhanced by opening the literature of China to more rigorous theoretical and comparative study. In doing so, the book confronts the problematic and complex subject of China's literary, theoretical, and cultural responses to the experience of the modern. With chapters by writers, scholars, and critics from mainland China, Hong Kong, and the United States, this volume explores the complexity of representing modernity within the Chinese context. Addressing the problem of finding a proper language for articulating fundamental issues in the historical experience of twentieth-century China, the author...
Remaking Gender and the Family
In Remaking Gender and the Family, Sarah Woodland examines the complexities of Chinese-language cinematic remakes. With a particular focus on how changes in representations of gender and the family between two versions of the same film connect with perceived socio-cultural, political and cinematic values within Chinese society, Woodland explores how source texts are reshaped for their new audiences. In this book, she conducts a comparative analysis of two pairs of intercultural and two pairs of intracultural films, each chapter highlighting a different dimension of remakes, and illustrating how changes in gender representations can highlight not just differences in attitudes towards gender across cultures, but also broader concerns relating to culture, genre, auteurism, politics and temporality.
Violence and Mediation in Contemporary Culture
Ten essays explore violence in relation to notions of difference, representation, and power; and the role of mediation in providing communal space in which cultural differences can interplay without conflict. Among the topics are the semiotics of windows and television screens, gender relations in contemporary film, and the image of Mormons in popular literature. The fiction of Kafka, Lu Xun, Conrad Aiken, Toni Morrison, and Ronald Sukenick is also examined. Annotation c. by Book News, Inc., Portland, Or.
Between Shanghai and Hong Kong
A pioneering study of the Chinese cinemas in Shanghai and Hong Kong and the complex connections between them during the period of war, occupation, and civil war.
Once Iron Girls
Available in English for the first time, Once Iron Girls: Essays on Gender by Post-Mao Chinese Literary Women brings together twenty-five essays by seven critically acclaimed writers, whose fiction and poetry have become classics in modern Chinese literature. Poetic, metaphoric, and sometimes playful and satiric, the essays discuss the material reality wherein Chinese women live and function. Reflecting on their experiences under Mao and in post-Maoist China, these essays vividly demonstrate that, despite equality of the sexes being the official position and women working equally demanding jobs as men, women are still considered servile to their male counterparts. Taken together, the collect...
Masculinity Besieged?
A feminist psychoanalytic account of changing conceptions of men and masculinity as seen in recent Chinese literature.
Accepting Population Control
China's one-child family policy has been applauded by demographers and condemned by human rights activists. This study argues that most city district Chinese women would prefer more children yet comply with the one-child policy because they accept the moral legitimacy of state policy.
Gender, Discourse and the Self in Literature
Critiquing the fictive nature of socially accepted values about gender, the authors unravel the strategies adopted by writers and filmmakers in (de)constructing the gendered self in mainland China, Taiwan and Hong Kong.
Mainstream Culture Refocused
Serialized television drama (dianshiju), perhaps the most popular and influential cultural form in China over the past three decades, offers a wide and penetrating look at the tensions and contradictions of the post-revolutionary and pro-market period. Zhong Xueping’s timely new work draws attention to the multiple cultural and historical legacies that coexist and challenge each other within this dominant form of story telling. Although scholars tend to focus their attention on elite cultural trends and avant garde movements in literature and film, Zhong argues for recognizing the complexity of dianshiju’s melodramatic mode and its various subgenres, in effect "refocusing" mainstream Chi...
