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All Stories are True
In All Stories Are True, Tracie Church Guzzio provides the first full-length study of John Edgar Wideman's entire oeuvre to date. Specifically, Guzzio examines the ways in which Wideman (b. 1941) engages with three crucial themes-history, myth, and trauma-throughout his career, showing how they intertwine. Guzzio argues that, for four decades, the influential African American writer has endeavored to create a version of the African American experience that runs counter to mainstream interpretations, using history and myth to confront and then heal the trauma caused by slavery and racism. Wideman's work intentionally blurs boundaries between fiction and autobiography, myth and history, partic...
All Stories Are True
In All Stories Are True, Tracie Church Guzzio provides the first full-length study of John Edgar Wideman's entire oeuvre to date. Specifically, Guzzio examines the ways in which Wideman (b. 1941) engages with three crucial themes—history, myth, and trauma—throughout his career, showing how they intertwine. Guzzio argues that, for four decades, the influential African American writer has endeavored to create a version of the African American experience that runs counter to mainstream interpretations, using history and myth to confront and then heal the trauma caused by slavery and racism. Wideman's work intentionally blurs boundaries between fiction and autobiography, myth and history, pa...
Critical Essays on John Edgar Wideman
"This volume is an indispensable study of Wideman's oeuvre, covering the full range of his career by addressing the key features of his fiction and nonfiction from 1967 to the present.The essays in this book reflect the most advanced thinking on Wideman's prolific, extraordinary art. The collection features at least one article on each major work and includes the voices of both well-established and emerging scholars. Though their critical perspectives are diverse, the contributors place Wideman squarely at the center of contemporary African American literature as an exemplar of postmodern approaches to literary art. Several position Wideman within the context of his predecessors-Wright, Baldwin, Ellison-and within a larger cultural context of music and collective history. The essays examine Wideman's complex style and his blending of African and Western cosmologies and aesthetics, the use of personal narrative, and his imaginative revisioning of forgotten historical events. These insightful analyses cover virtually every stage of Wideman's career and every genre in which he has written. A detailed bibliography of Wideman's work is also included"--From Amazon.co.
All Stories are True
Set mainly in the Pittsburgh district of Homewood, these 10 stories depict African Americans from all walks of life--ancestors, family, and lovers caught in the vortex of American history and haunted by their own particular demons. "(Wideman is) one of our very finest writers, period".--New Republic.
A Historical Guide to Ralph Ellison
Ralph Ellison has been a controversial figure, both lionized and vilified, since he seemed to burst onto the national literary scene in 1952 with the publication of Invisible Man. In this volume Steven C. Tracy has gathered a broad range of critics who look not only at Ellison's seminal novel but also at the fiction and nonfiction work that both preceded and followed it, focusing on important historical and cultural influences that help contextualize Ellison's thematic concerns and artistic aesthetic. These essays, all previously unpublished, explore how Ellison's various apprenticeships--in politics as a Black radical; in music as an admirer and practitioner of European, American, and Afric...
We Average Unbeautiful Watchers
Sports fandom--often more than religious, political, or regional affiliation--determines how millions of Americans define themselves. In We Average Unbeautiful Watchers, Noah Cohan examines contemporary sports culture to show how mass-mediated athletics are in fact richly textured narrative entertainments rather than merely competitive displays. While it may seem that sports narratives are "written" by athletes and journalists, Cohan demonstrates that fans are not passive consumers but rather function as readers and writers who appropriate those narratives and generate their own stories in building their sense of identity. Critically reading stories of sports fans' self-definition across gen...
Postmodernism, Traditional Cultural Forms, and African American Narratives
Examines how six writers reconfigure African American subjectivity in ways that recall postmodernist theory. This book explores how African American social and political movements, African American studies, independent scholars, and traditional cultural forms revisit and challenge the representation of the African American as deviant other. After surveying African American history and cultural politics, W. Lawrence Hogue provides original and insightful readings of six experimental/postmodern African American texts: John Edgar Widemans Philadelphia Fire; Percival Everetts Erasure; Toni Morrisons Jazz; Bonnie Greers Hanging by Her Teeth; Clarence Majors Reflex and Bone Structure; an...
You Made Me Love You
A powerful and “stunning” (Publishers Weekly, starred review) selection of the best of John Edgar Wideman’s short stories over his fifty-year career, representing the wide range of his intellectual and artistic pursuits. When John Edgar Wideman won the PEN Malamud Award in 2019, he joined a list of esteemed writers—from Eudora Welty to George Saunders—all of whom are acknowledged masters of the short story. Wideman’s commitment to short fiction has been lifelong, and here he gathers a representative selection from throughout his career, stories that “have a wary, brooding spirit, a lonely intelligence…[and] air the problem of consciousness, including the fragile contingency o...
Encyclopedia of African-American Literature
Presents a reference on African American literature providing profiles of notable and little-known writers and their works, literary forms and genres, critics and scholars, themes and terminology and more.
August Wilson's Pittsburgh Cycle
Providing a detailed study of American playwright August Wilson (1945-2005), this collection of new essays explores the development of the author's ethos across his twenty-five-year creative career--a process that transformed his life as he retraced the lives of his fellow "Africans in America." While Wilson's narratives of Pittsburgh and Chicago are microcosms of black life in America, they also reflect the psychological trauma of his disconnection with his biological father, his impassioned efforts to discover and reconnect with the blues, with Africa and with poet/activist Amiri Baraka, and his love for the vernacular of Pittsburgh.
