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Norman Lear
  • Language: en
  • Pages: 369

Norman Lear

An in-depth telling of the Norman Lear's seven-decade career that Publishers Weekly calls a "lovingly detailed portrait" and "a fitting tribute to a consequential figure in television history.” Beginning in the 1970s, writer and producer Norman Lear forever altered the television landscape with such groundbreaking situation comedies as All in the Family, Maude, Good Times, Sanford and Son, The Jeffersons, and One Day at a Time. For over half a century his body of work boldly tackled race, class, sexuality, politics, and religion—topics previously considered too taboo to be the subject of comedy on the small screen. Norman Lear: His Life and Times is the unforgettable story of an extraord...

You Never Call! You Never Write!
  • Language: en
  • Pages: 336

You Never Call! You Never Write!

In You Never Call, You Never Write, Joyce Antler provides an illuminating and often amusing history of one of the best-known figures in popular culture--the Jewish Mother. Whether drawn as self-sacrificing or manipulative, in countless films, novels, radio and television programs, stand-up comedy, and psychological and historical studies, she appears as a colossal figure, intensely involved in the lives of her children. Antler traces the odyssey of this compelling personality through decades of American culture. She reminds us of a time when Jewish mothers were admired for their tenacity and nurturance, as in the early twentieth-century image of the "Yiddishe Mama," a sentimental figure popu...

The Myth of Lost
  • Language: en
  • Pages: 186

The Myth of Lost

  • Type: Book
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  • Published: 2008
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  • Publisher: iUniverse

Explores how the television show "Lost", by deciphering some of the mysteries of the show, can reveal the answer to our own mysteries of life and introduce us to a new way of thinking.

Spike Unleashed
  • Language: en
  • Pages: 345

Spike Unleashed

This laugh-out-loud novel, with its interwoven and inventive plotlines, could be called Game of Bones. In the midst of being ensnared in a devious revenge plot, Spike the Wonder Dog manages to unleash his celebrated brand of absurdist humor, shrewd social commentary, and certifiably funny grievances at human shortcomings, while romping through all manner of sexy scenarios in the rich and famous playgrounds of Palm Beach, Manhattan, and East Hampton. Spike and the wacky but deeply developed characters he encounters will definitely tickle your funny bone as he and his talk show host owner Bud dig up some brilliant twists on popular culture scenarios, celebrities, and behind-the-scenes action in the world of entertainment.

Border-Crossing and Comedy at the Théâtre Italien, 1716–1723
  • Language: en
  • Pages: 264

Border-Crossing and Comedy at the Théâtre Italien, 1716–1723

How do nationalized stereotypes inform the reception and content of the migrant comedian’s work? How do performers adapt? What gets lost (and found) in translation? Border-Crossing and Comedy at the Théâtre Italien, 1716-1723 explores these questions in an early modern context. When a troupe of commedia dell’arte actors were invited by the French crown to establish a theatre in Paris, they found their transition was anything but easy. They had to learn a new language and adjust to French expectations and demands. This study presents their story as a dynamic model of coping with the challenges of migration, whereby the actors made their transnational identity a central focus of their comedy. Relating their work to popular twenty-first century comedians, this book also discusses the tools and ideas that contextualize the border-crossing comedian’s work—including diplomacy, translation, improvisation, and parody—across time.

The Improv
  • Language: en

The Improv

Featured in the New York Times 2017 "Holiday Gift Guide for Hardcover Fans" Get an insider's oral history of the World's most iconic comedy club, featuring exclusive interviews with today's most hilarious stars recalling their time on stage (and off) at the Improv. In 1963, 30-year-old Budd Friedman—who had recently quit his job as a Boston advertising executive and returned to New York to become a theatrical producer—opened a coffee house for Broadway performers called the Improvisation. Later shortened to the Improv, its first seedy West 44th Street location initially attracted the likes of Judy Garland, Liza Minnelli, Albert Finney, and Jason Robards, as well as a couple of then-unkno...

The Improv
  • Language: en
  • Pages: 400

The Improv

Featured in the New York Times 2017 "Holiday Gift Guide for Hardcover Fans" Get an insider's oral history of the World's most iconic comedy club, featuring exclusive interviews with today's most hilarious stars recalling their time on stage (and off) at the Improv. In 1963, 30-year-old Budd Friedman—who had recently quit his job as a Boston advertising executive and returned to New York to become a theatrical producer—opened a coffee house for Broadway performers called the Improvisation. Later shortened to the Improv, its first seedy West 44th Street location initially attracted the likes of Judy Garland, Liza Minnelli, Albert Finney, and Jason Robards, as well as a couple of then-unkno...

1861-1877, Register of Officers and Agents, Civil, Military and Naval [etc.]
  • Language: en
  • Pages: 2272
Official Register of the United States
  • Language: en
  • Pages: 1126

Official Register of the United States

  • Type: Book
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  • Published: 1903
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  • Publisher: Unknown

None

Heroin, Acting, and Comedy in New York City
  • Language: en
  • Pages: 193

Heroin, Acting, and Comedy in New York City

  • Type: Book
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  • Published: 2017-07-21
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  • Publisher: Springer

This book focuses on New York City-based actors and comedians who are self-acknowledged heroin users. Barry Spunt examines a number of hypotheses about the reasons why actors and comedians use heroin as well as the impact of heroin on performance, creativity, and career trajectory. A primary concern of the book is the role that subculture and identity play in helping us to understand the heroin use of these entertainers. Spunt captures the voices of actors and comedians through narrative accounts from a variety of secondary sources. He also examines how New York-based films about heroin relate to the major themes of his research.