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Sweet Like Chocolate Boy
Mars is a street-smart, enthusiastic, lyrically-saturated man on-the-edge about to propose to the girl of his dreams in present-day London. Bounty is a very quiet boy in a very loud Borough paddling through the 90s with this new politically charged Black identity swirling around him. As the worlds of Mars and Bounty collide, can they find their place in these times or will they get chewed, swallowed and digested by it? Sweet Like Chocolate Boy, by award-winning theatre-maker Tristan Fynn-Aiduenu, is a storytelling epic that melts timelines, lives, fantasy, Garage and Jungle and critiques Black British Protest in the broiling estates of London.
Black Women Centre Stage
This book examines the political alliances that are built across the diaspora in contemporary plays written by Black women playwrights in the UK. Through the concept of creative diasporic solidarity, it offers an innovative theoretical approach to examine the ways in which the playwrights respond creatively to the violence and marginalisation of Black communities, especially Black women. This study demonstrates that theatre can act as a productive space for the ethical encounter with the Other (understood in terms of alterity, as someone different from the self) by examining the possibilities of these plays to activate the spectators’ responsibility and solidarity towards different types o...
Little Baby Jesus & Estate Walls: Two Plays
Two plays, both set in contemporary inner-city London, showcasing the remarkable poetic and theatrical imagination of writer/performer Arinzé Kene. Little Baby Jesus is a lyrical triptych of three intertwining, colliding monologues about the life-changing moments when three young people 'grew up'. Joanne is dipped in rudeness, rolled in attitude and is fighting to keep her life afloat. Sensitive and mature he may be, yet Kehinde struggles with an obsession for mixed-race girls as he eyes his place on the social ladder. Rugrat is the class clown and playground loudmouth, and just wants to make it past GCSEs. Estate Walls is the story of Obi, a young writer who dreams of leaving his estate, but with bad boys Myles and Cain for best friends, there are bound to be setbacks... Both plays premiered at Ovalhouse Theatre in south London, directed by Ché Walker, with Estate Walls winning Arinzé the Most Promising Playwright at the Offies (Off West Theatre Awards) in 2011. Little Baby Jesus was revived at the Orange Tree Theatre, Richmond, in 2019, directed by winner of the JMK Young Director Award Tristan Fynn-Aiduenu.
Little Baby Jesus
Three magnetic personalities and three remarkable stories from the poetic imagination of Arinzé Kene, winner of the Most Promising Playwright Award at the 'Offies' (Off West End Theatre Awards). Kehinde is older than his years, a boy with an innocence and a passion for mixed-race girls. Joanne is dipped in rudeness and rolled in attitude. And then there's Rugrat, the class clown, underachiever and playground loudmouth. The boy who never leaves, the schoolgirl trying to distance herself from her past, and the schoolboy always on the outer of the inner circle - in this lyrical triptych of interconnected monologues, three inner-city teenagers are about to become adults. Little Baby Jesus was first performed at Oval House Theatre, London, in May 2011 in a co-production by Oval House, BEcreative and the English Touring Theatre.
For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy
Nominated for Best New Play at the 2023 Olivier Awards I found a king in me and now I love you I found a king in you and now I love me Father figures and fashion tips. Lost loves and jollof rice. African empires and illicit sex. Good days and bad days. Six young Black men meet for group therapy, and let their hearts - and imaginations - run wild. Inspired by Ntozake Shange's essential work For Colored Girls Who Have Considered Suicide / When the Rainbow is Enuf, For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy is a profound and playful work, co-commissioned by Boundless Theatre, from multi-award-winning company Nouveau Riche and playwright Ryan Calais Cameron. For Black Boys... gained critical acclaim for the world premiere in October 2021 at New Diorama Theatre, before successfully transferring to London's Royal Court Theatre in March 2022. This edition was published to coincide with the second West End production at the Garrick Theatre in March 2024.
For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy
Nominated for Best New Play at the 2023 Olivier Awards I found a king in me and now I love you I found a king in you and now I love me Father figures and fashion tips. Lost loves and jollof rice. African empires and illicit sex. Good days and bad days. Six young Black men meet for group therapy, and let their hearts - and imaginations - run wild. Inspired by Ntozake Shange's essential work For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf, For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy is a profound and playful work, co-commissioned by Boundless Theatre, from multi-award-winning company Nouveau Riche and playwright Ryan Calais Cameron. For Black Boys... gained critical acclaim for the world premiere in October 2021 at New Diorama Theatre, before successfully transferring to London's Royal Court Theatre in March 2022. This edition was published to coincide with the West End production at the Apollo Theatre in March 2023.
Oi You Lot
'The sky belongs to everybody and everybody belongs to the sky. When the genie comes out, wish for late busesand missed trains, and beers on benches,because when someone is gone, they are gone.' Kareem Parkins-Brown's highly-anticipated pamphlet is an audacious and richly plural celebration of friends and selves, present and otherwise. In Parkins-Brown's hands, language bends like an illusionist's spoon – a dazzling, fisheye-lens distortion of daily grief, absurdity and communion – while reminding us always that the trick is to carry on living. 'Kareem Parkins-Brown's excellent pamphlet is like a funeral held in a bouncy castle: the line-breaks slip on their own tears, jumping mourners get bruised by their collisions and the laughing starts to sound a lot like crying.' Caroline Bird 'I have been waiting for this book for years. There's no voice like Kareem Parkin-Brown's. Sacred and profane, these are critical, kinetic poems for, and of, right now.' Rachel Long 'Kareem Parkins-Brown is one of the most beloved wordsmiths on the London poetry circuit. 'Oi You Lot' will show its readers why.' Raymond Antrobus
On the Other Hand, We're Happy
A tender, funny, hopeful play about being a mum when your name is Dad.
Human Nurture
I don't agree with everything they say, but we do have a lot in common nowadays; anyway, I can't be racist, my best friend is Black. Roger and Harry's bond is so strong they could be brothers. They share the same food, music, computer games and even dreams... Everything other than their race. Roger is black, and Harry is white. But what does that matter, right? When Roger is re-homed, Harry is left behind in the care system, and these 'brothers' grow up in opposite ends of Britain's social spectrum. Then on Harry's birthday, Runaku (Roger's reclaimed Zimbabwean birth name) returns for a dream reunion that turns into a nightmare situation. Human Nurture is an explosive new play from Ryan Calais Cameron where nothing's off-limits: from innocent primary school humiliations to race, privilege, allyship and male vulnerability.
RED PITCH.
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