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The role of large-scale business enterprise—big business and its managers—during the formative years of modern capitalism (from the 1850s until the 1920s) is delineated in this pathmarking book. Alfred Chandler, Jr., the distinguished business historian, sets forth the reasons for the dominance of big business in American transportation, communications, and the central sectors of production and distribution.
Transformed Communication Codes in the Mediated World: A Contemporary Perspective offers a comprehensive exploration of the profound shifts in communication practices catalyzed by the global COVID-19 pandemic. This book serves as an essential compendium of research, shedding light on the multifaceted implications of these changes across various domains. In the wake of the COVID-19 outbreak, communication paradigms underwent an unprecedented transformation, birthing an urgent need for rigorous research and analysis. The book offers a multidimensional lens to explore this transformative period. It delves into the immediate effects of COVID-19 on communication practices, unraveling how platform...
This book deals with the early development of Śaivism in ancient Dakṣiṇa Kosala, the region that roughly corresponds to the modern state of Chhattisgarh, plus the districts of Sambalpur, Balangir and Kalahandi of Odhisha (formerly Orissa). At the end of the sixth and the beginning of the seventh century, this region was under the control of the Pāṇḍava king Śivagupta alias ‘Bālārjuna' hailing from Śrīpura (the modern village of Sirpur), who was a great patron of religion. Epigraphical evidence, supported by archaeological remains, has shown that by the time of Śivagupta's reign, which lasted for at least fifty-seven years, Dakṣiṇa Kosala was already a rich centre of early Śaivism. In the context of this setting the following research questions were formulated: what circumstances fostered the rise and development of Śaivism in this area, and did the Skandapurāṇa, an important and contemporaneous religious scripture, play any role in that development? An answer to these questions would not only shed light on the religious processes at work in Dakṣiṇa Kosala, but would also touch upon the interplay of political, social, economic and geographical factors.
Ugaritic, discovered in 1929, is a North-West Semitic language, documented on clay tablets (about 1250 texts) and dated from the period between the 14th and the 12th centuries B.C.E. The documents are of various types: literary, administrative, lexicological. Numerous Ugaritic tablets contain portions of a poetic cycle pertaining to the Ugaritic pantheon. Another part, the administrative documents shed light on the organization of Ugarit, thus contributing greatly to our understanding of the history and culture of the biblical and North-West Semitic world. This important reference work, a revised and translated edition of the author's Hebrew publication (Beer Sheva, 1993), deals with the phonology, morphology and syntax of Ugaritic. The book contains also an appendix with text selections.
This book has been published by Allenvi (French National Alliance for Environmental Research) to coincide with the 22nd Conference of Parties to the United Nations Framework Convention on Climate Change (COP22) in Marrakesh. It is the outcome of work by academic researchers on both sides of the Mediterranean and provides a remarkable scientific review of the mechanisms of climate change and its impacts on the environment, the economy, health and Mediterranean societies. It will also be valuable in developing responses that draw on “scientific evidence” to address the issues of adaptation, resource conservation, solutions and risk prevention. Reflecting the full complexity of the Mediterranean environment, the book is a major scientific contribution to the climate issue, where various scientific considerations converge to break down the boundaries between disciplines.
Since the late nineteenth century, theatre has played a significant role in shaping social and political awareness in India. It has served to raise concerns in post-Independence India as well. Modern Indian Theatre: A Reader brings together writings that speak to the historical contexts from which theatrical practices emerged-colonization, socio-cultural suppression and appropriation, intercultural transformations brought about by the impact of the colonial forces, and acute critical engagement with socio-political issues brought about by the hopes and failures of Independence. The volume addresses pertinent questions like how drama influences social change, the response of drama to the emergence and domination of mass media and the proliferation and influence of western media in India, and how mediations of gender, class, and caste influence drama, its language, forms, and aesthetics. The Introduction by Nandi Bhatia provides a comprehensive understanding of the interface between Indian theatre and 'modernity'.