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Building an Igloo
For use in schools and libraries only. An illustrated introduction to the centuries-long practice by people in the Arctic of building igloos for shelter from carefully constructed ice blocks.
The Spirit of Haida Gwaii
Elegant and evocative, this is a classic that pays tribute to one of the great sculptural works of this century. The artist Bill Reid, who is part Haida, is internationally renowned for his totem poles and other large pieces, as well as for his work on a small scale in silver and gold. His masterpiece, The Spirit of Haida Gwaii, is a bronze canoe six meters (20 feet) long, filled to overflowing with the creatures of Haida mythology. Its ten passengers include the Raven, the Eagle, the Bear and his human wife, the Mouse Woman and the Dogfish Woman. In the middle stands the Chief holding in his hand a smaller sculpture: a talking stick that depicts the story of creation in Haida terms. Ulli Steltzer’s superb black-and-white photographs record and reveal intimate insights into the creative process of this sculpture, as well as the parts and the whole of this monumental work. The story of the sculpture and of its creator, Bill Reid, is engagingly related by Robin Laurence. And Bill Reid’s own descriptions of the creatures in the canoe provide glimpses into the mythic complexity and power of The Spirit of Haida Gwaii.
Restricted Data
"Nuclear weapons, since their conception, have been the subject of secrecy. In the months after the dropping of the atomic bombs on Hiroshima and Nagasaki, the American scientific establishment, the American government, and the American public all wrestled with what was called the "problem of secrecy," wondering not only whether secrecy was appropriate and effective as a means of controlling this new technology but also whether it was compatible with the country's core values. Out of a messy context of propaganda, confusion, spy scares, and the grave counsel of competing groups of scientists, what historian Alex Wellerstein calls a "new regime of secrecy" was put into place. It was unlike an...
Eagle Transforming
Ulli Steltzer, a distinguished photographer, takes the reader into the carving shed and studio to see Robert Davidson as he creates both monumental poles and intricately detailed powerful masks. More than 100 of her black-and-white photographs, reproduced in duotone, record both the evolution of Davidson and his art, from the early days up to the present, a span of 25 years. In the accompanying text and captions, Robert Davidson writes movingly about growing up Haida and his development as an artist, describes the creative and practical process of carving poles and masks, and discusses the place of art in Haida culture. An introduction by Aldona Jonaitis assesses Robert Davidson's place in the world of art. Robert Davidson has produced an internationally acclaimed body of art, in particular a number of large totem poles and masks in collections in Canada and the United States, including the Southwest Museum in Los Angeles, the National Gallery of Canada, the Canadian Museum of Civilization, and the Vancouver Art Gallery.
A Second Look
Four-hundred-twenty-five books are reviewed in this superb collection. A Second Look, Native Americans in Childrens Books gives a thorough examination of the books as a guide for parents, teachers, librarians, and administrators interested in books for children. Anyone involved in selecting books will find this guide useful in working through the maze of available materials. Andie Peterson, one of the few women to be awarded an Eagle Feather, has provided a meaningful criteria to help in judging books. She outlines ways for objectively studying books to draw conclusions as to the suitability for the reader. She writes candidly about books filled with stereotypes, hurtful images, and damaging...
Makúk
John Lutz traces Aboriginal people’s involvement in the new economy, and their displacement from it, from the arrival of the first Europeans to the 1970s. Drawing on an extensive array of oral histories, manuscripts, newspaper accounts, biographies, and statistical analysis, Lutz shows that Aboriginal people flocked to the workforce and prospered in the late nineteenth century. He argues that the roots of today’s widespread unemployment and “welfare dependency” date only from the 1950s, when deliberate and inadvertent policy choices – what Lutz terms the “white problem” drove Aboriginal people out of the capitalist, wage, and subsistence economies, offering them welfare as “compensation.”
Biographical Memoirs
Biographic Memoirs: Volume 71 contains the biographies of deceased members of the National Academy of Sciences and bibliographies of their published works. Each biographical essay was written by a member of the Academy familiar with the professional career of the deceased. For historical and bibliographical purposes, these volumes are worth returning to time and again.
Omega Farm
"A long-awaited memoir from an award-winning novelist-a candid, riveting account of her complicated, bohemian childhood and her return home to care for her ailing mother. In March 2020, Martha McPhee, her husband, and their two almost-grown children set out for her childhood home in New Jersey, where she finds herself grappling simultaneously with a mother slipping into severe dementia and a house that's been neglected of late. As Martha works to manage her mother's care and the sprawling, ramshackle property-a broken septic system, invasive bamboo, dying ash trees-she is pulled back into her childhood, almost against her will. Martha grew up at Omega Farm with her four sisters, five stepsib...
