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Reports for 1980-19 also include the Annual report of the National Council on the Arts.
Even though the cultural approach concerns itself with the local and the particular rather than with the abstract and universal, it is inherently comparative. Moreover, it also relocates each war in the historical and cultural experiences of Asian countries themselves rather than seeing the war as merely a conflict between the United States and Asian nations.
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Exploration of Irish theatrical performance in England
It could be said that the career of Canadian-born film director Allan Dwan (1885-1981) began at the dawn of the American motion picture industry. Originally a scriptwriter, Dwan became a director purely by accident. Even so, his creativity and problem-solving skills propelled him to the top of his profession. He achieved success with numerous silent film performers, most spectacularly with Douglas Fairbanks Sr. and Gloria Swanson, and later with such legendary stars as Shirley Temple and John Wayne. Though his star waned in the sound era, Dwan managed to survive through pluck and ingenuity. Considering himself better off without the fame he enjoyed during the silent era, he went on to do some of his best work for second-echelon studios (notably Republic Pictures' Sands of Iwo Jima) and such independent producers as Edward Small. Along the way, Dwan also found personal happiness in an unconventional manner. Rich in detail with two columns of text in each of its nearly 400 pages, and with more than 150 photographs, this book presents a thorough examination of Allan Dwan and separates myth from truth in his life and films.
In World War I, 104 African American doctors joined the United States Army to care for the 40,000 men of the 92nd and 93rd Divisions, the Army's only black combat units. The infantry regiments of the 93rd arrived first and were turned over to the French to fill gaps in their decimated lines. The 92nd Division came later and fought alongside other American units. Some of those doctors rose to prominence; others died young or later succumbed to the economic and social challenges of the times. Beginning with their assignment to the Medical Officers Training Camp (Colored)--the only one in U.S. history--this book covers the early years, education and war experiences of these physicians, as well as their careers in the black communities of early 20th century America.
The essays and poetry gathered by editor Steven B. Rogers are a testament to Haines contribution to poetry. Most of the material is new and all of it celebrates the immeasurable talents and matchless generosity of this writer, teacher, mentor. In a contribution, Donald Hall writes, "...But Haines differs from others in the care of his language. He writes with a hard instrument on a hard surface."
"I look for new forms and possibilities," writes Jerome Rothenberg in Poems for the Game of Silence, "but also for ways of presenting in my own language the oldest possibilities of poetry going back to the primitive and archaic cultures that have been opening up to us over the last hundred years." It is this combined sense of mystery and authenticity, in words and new structures that approach archetypal chant, that informs his poetry. First published in 1971, this volume brings together a selection of Rothenberg's early groundbreaking work: a wide range of experimental forms, both written and oral, set beside renderings of Native American, Australian, and other primitive songs, as well as the ancestral poems exploring his own origins that look forward to his later poetry.
Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals (July - December)