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Surveys the art of the Age of Exploration in Europe, the Far East, and the Americas
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From Prehistory to the Middle Ages, from the Spanish mainland to the Portuguese Atlantic Coast, the Duero (or Douro as it is known in English because of its Portuguese translation) has served as a river of great historical importance. It is a river flowing from the past into the future with the legacy of the Homo Antecessor and the most ancient remains of European Prehistory, showcasing the first samples of inland farming during the Iberian Neolithic period and many examples of Schematic Rock Art. Before the total obliteration of archaeological sites in the Duero valley due to active agricultural labours and the course of time itself, the Archaeological and Protohistoric Society of Zamora, Z...
Exploring all the available sources, this study, which until now was only available in Greek, presents us with an account of El Greco's life up to the time he left Crete for Italy in 1567 at the age of twenty-six, already an accomplished professional painter. Nikolaos Panagiotakes provides a thorough assessment of earlier research on Crete of the 16th century then goes on to present new conclusions on the life of El Greco deriving from the author's firsthand reading of Venetian archive material, including questions relating to his birthplace, family, name, religious affiliation, and apprenticeship as a painter. The evidence indicates that El Greco was an established professional 'master painter' earlier than had previously been thought and also that he had a family before leaving Crete, thus perhaps explaining why he did not later marry Jerónima de las Cuevas, with whom he had a son in Toledo. This work marks a valuable contribution to El Greco scholarship, particularly in its thoroughly substantiated assessment of the evidence regarding the formative years in the life of El Greco, one of the greatest of all European artists.
The Buen Retiro, a royal retreat and pleasure palace, was built for Philip IV on the outskirts of Madrid in the 1630s. With its superb display of paintings by Vel zquez and other contemporary artists, the palace became a showcase for the art and culture of Spain's Golden Age. A Palace for a King, first published in 1980, provides a pioneering total history of the construction, decoration, and uses of a major royal palace, emphasising the relationship of art and politics at a critical moment in European history. produced on different aspects of the history of the palace and its decoration since the 1970s. A number of new, unpublished illustrations have been added, and many of the plates are now reproduced in colour. The publication of this edition gains added importance from the fact that plans for the expansion of the Prado Museum include the restoration of the Hall of Realms to approximate its original appearance, as reconstructed in this volume.
El estudio de la arquitectura eclesiástica tardoantigua y altomedieval ha adolecido, por un lado, de una escasa comprensión arqueológica de su construcción y, por otro, del desconocimiento del marco social, económico o geográfico en el que vio la luz. Siguiendo una metodología arqueológica en el estudio de los alzados (arqueología de la arquitectura) este libro presenta una secuencia evolutiva de las iglesias tardoantiguas y altomedievales y las sistematiza según una tipología formal y cronológica.