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How to Be a Revolutionary
Winner of the 2023 UJ Prize Winner of the 2023 Sunday Times Literary Award An extraordinary, ambitious, globe-spanning novel about what we owe our consciences Fleeing her moribund marriage in Cape Town, Beth accepts a diplomatic posting to Shanghai. In this anonymous city she hopes to lose herself in books, wine, and solitude, and to dodge whatever pangs of conscience she feels for her fealty to a South African regime that, by the 21st century, has betrayed its early promises. At night, she hears the sound of typing, and then late one evening Zhao arrives at her door. They explore hidden Shanghai and discover a shared love of Langston Hughes--who had his own Chinese and African sojourns. But...
Language in Cape Town's District Six
The book is a sociolinguistic case study of District Six, an inner-city neighbourhood in Cape Town characterized by language mixing and switching of English and Afrikaans. Its early inhabitants included indigenous people, freed slaves of African and Asian origin, and immigrants from Europe andelsewhere. The ravages of apartheid affected the residents' attitudes towards their languages in various ways, which are described. The book examines the norms and practices regarding language choice for various functions and domains in the only surviving sector of District Six. It also containsdetailed analyses of extended bilingual conversations showing a range of social, linguistic and discourse features. Of particular interest is the paradoxical polarization and blending of the two languages. They are strongly polarized symbolically and functionally, yet they are also habituallyblended in vernacular speech through lexical borrowing and intrasentential language switching. This paradox has interesting implications for the construction of individual, community and language identity.
Grace
Family secrets run deep for Grace, a young girl growing up in Cape Town during the 1980s, spilling over into adulthood, and threatening to ruin the respectable life she has built for herself. When an old childhood friend reappears, Grace’s memories of her childhood come rushing back, and she is confronted, once again, with the loss that has shaped her. She has to face up to the truth or continue to live a lie - but the choice is not straightforward. Grace is an intimate portrayal of violence, both personal and political, and its legacy on one person’s life. It meditates on the long shadow cast by personal trauma, showing the inter-generational imprint of violence and loss on people’s lives.
