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Popular Performance
There is no fourth wall in popular performance. The show is firmly rooted in the here and now, and the performers address the audience directly, while the audience answer back with laughter, applause or heckling. Performer and role are interlaced, so that we are left uncertain about just how the persona we see onstage might relate to the private person who presents it to us. Popular Performance defines and surveys varieties of performance where the main purpose is to entertain, and where there is no shame in being trivial, frivolous or nonsensical as long as people go home happy at the end of the show. Contributions by new and established scholars focus particularly on how it is made, explai...
Wit's Pilgrimage
In recognising that education in the 16th and 17th centuries was mainly organised for the benefit of the state, Darryll Grantley demonstrates that the benefit to the lower classes were many and that drama played a part in blurring social distinctions.
The Suppliant Women
If we help, we invite trouble. If we don't, we bring shame.Fifty women board a boat in North Africa. They flee across the Mediterranean, leaving everything behind. They are escaping forced marriage in their home and seeking asylum in Greece.Written 2,500 years ago, The Suppliant Women is one of the world's oldest plays. It's about the plight of refugees, about moral and human rights, civil war, democracy and ultimately the triumph of love. It tells a story that echoes down the ages to find striking and poignant resonance today.Featuring in performance a chorus of local women, this is part play, part ritual, part theatrical archaeology. It explores fundamental questions of humanity: who are we, where do we belong and, if all goes wrong, who will take us in?Aeschylus' The Suppliant Women, in a version by David Greig, premiered at the Lyceum Theatre, Edinburgh, in October 2016, in a production by ATC.
Gamer Nation
Ultimately, Gamer Nation reveals not only how video games are a key aspect of contemporary American culture, but how games affect how people relate to America itself.
Refugee Tales
Two unaccompanied children travel across the Mediterranean in an overcrowded boat that has been designed to only make it halfway across… A 63-year-old man is woken one morning by border officers ‘acting on a tip-off’ and, despite having paid taxes for 28 years, is suddenly cast into the detention system with no obvious means of escape… An orphan whose entire life has been spent in slavery – first on a Ghanaian farm, then as a victim of trafficking – writes to the Home Office for help, only to be rewarded with a jail sentence and indefinite detention… These are not fictions. Nor are they testimonies from some distant, brutal past, but the frighteningly common experiences of Euro...
The importance of teaching
England's school system performs below its potential and can improve significantly. This white paper outlines action designed to: tackle the weaknesses in the system; strengthen the status of teachers and teaching; reinforce the standards set by the curriculum and qualifications; give schools back the freedom to determine their own development; make schools more accountable to parents, and help them to learn more quickly and systematically from good practice elsewhere; narrow the gap in attainment between rich and poor. The quality of teachers and teaching is the most important factor in determining how well children do. The Government will continue to raise the quality of new entrants to th...
Straight Line Crazy
For forty uninterrupted years, Robert Moses was the most powerful man in New York. Though never elected to office, he manipulated those who were through a mix of guile, charm and intimidation. Motivated at first by a determination to improve the lives of New York City's workers, he created parks, bridges and 627 miles of expressway to connect the people to the great outdoors. But in the 1950s, groups of citizens began to organize against his schemes and against the motor car, campaigning for a very different idea of what a city should be. David Hare's blazing account of a man - played by Ralph Fiennes - whose iron will exposed the weakness of democracy in the face of charismatic conviction, premieres at the Bridge Theatre, London, in March 2022.
Dance Dramaturgy
Ten international dramaturg-scholars advance proposals that reset notions of agency in contemporary dance creation. Dramaturgy becomes driven by artistic inquiry, distributed among collaborating artists, embedded in improvisation tasks, or weaved through audience engagement, and the dramaturg becomes a facilitator of dramaturgical awareness.
