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Publicatie n.a.v. de conferentie gehouden op 1 april 2006 op de faculteit Bouwkunde van de TU Delft over de huidige en toekomstige veranderingen rond de digitaal ontworpen architectuur- en designpraktijk.
Internationally refereed papers present the state of the art in computer-aided architectural design research. These papers reflect the theme of the 12th International Conference of CAADFutures, Integrating Technologies for Computer-Aided Design. Collectively, they provide the technological foundation for new ways of thinking about using computers to design. In addition, they address the education of designers themselves.
Design in the area of architecture is essentially an act of innovation, continually striving to integrate practical, metaphorical and symbolic features into the designs using the technical means of today, and this is precisely where the computer can provide fascinating new potential to create a narrative space.
This rich and imaginative book investigates the cultural connection between new media and architectural imaging.
Digital Poetics celebrates the architectural design exuberance made possible by new digital modelling techniques and fabrication technologies. By presenting an unconventional and original ’humanistic’ theory of CAD (computer-aided design), the author suggests that beyond the generation of innovative engineering forms, digital design has the potential to affect the wider complex cultural landscape of today in profound ways. The book is organised around a synthetic and hybrid research methodology: a contemporary, propositional and theoretical discursive investigation and a design-led empirical research. Both methods inform a critical construct that deals with the nature, forms, and laws of...
With increasing intensity, CAAD (Computer Aided Architectural Design) is determining the daily work of today's architectural offices. Computers allow complex designs to be visualized and altered with great speed and accuracy; three-dimensional models can be created with simulation and animation possibilities, and links to the World Wide Web provide access to a flow of information. The author develops his thesis that these aspects do not just enable the creative process to be optimized in a quantitative sense but also qualitatively. Alongside the spatial and time dimensions, the new electronic possibilities provide a fifth dimension in architecture.
This volume contains the refereed and revised papers of the Fourth International Conference on Design Computing and Cognition (DCC'10), held in Stuttgart, Germany. The material in this book represents the state-of-the-art research and developments in design computing and design cognition. The papers are grouped under the following nine headings, describing both advances in theory and application and demonstrating the depth and breadth of design computing and design cognition: Design Cognition; Framework Models in Design; Design Creativity; Lines, Planes, Shape and Space in Design; Decision-Making Processes in Design; Knowledge and Learning in Design; Using Design Cognition; Collaborative/Collective Design; and Design Generation. This book is of particular interest to researchers, developers and users of advanced computation in design across all disciplines and to those who need to gain better understanding of designing.
Contemporary architecture, and the culture it reflects dependent as it is on fossil fuels, has contributed to the cause and necessity of a burgeoning green process that emerged over the past half century. This text is the first to offer a comprehensive critical history and analysis of the greening of architecture through accumulative reduction of negative environmental effects caused by buildings, urban designs and settlements. Describing the progressive development of green architecture from 1960 to 2010, it illustrates how it is ever evolving and ameliorated through alterations in form, technology, materials and use and it examines different places worldwide that represent a diversity of c...
Edited by Professor Maia Engeli and with a contribution by Professor Gerhard Schmitt, both of the Swiss Federal Institute of Technology (ETH Z rich), this book presents 33 exciting new projects which demonstrate the growing significance of CAAD for today's architects. Divided into 5 main chapters: Design in Space and Time; Learning and Creative Collaboration; Virtual Environments; IT and Practice; and Blurring Boundaries, the projects illustrate how computers can be used innovatively and creatively in designing physical, virtual and hybrid architecture. Particular emphasis is placed on the interaction between man and computer, and also on the aesthetic aspects. The book is accompanied by a C...