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Day Equals Night
None
Russian Writers Since 1980
Focuses on the highly diverse and controversial literary and cultural life in Russia during the last twenty years of the past century. Major shifts on the political scene influenced Russian literature of these past two decades. Literature managed to find in the political and historical turbulence of this period a source of powerful artistic insight.
A History of Women's Writing in Russia
A History of Women's Writing in Russia offers a comprehensive account of the lives and works of Russia's women writers. Based on original and archival research, this volume forces a re-examination of many of the traditionally held assumptions about Russian literature and women's role in the tradition. In setting about the process of reintegrating women writers into the history of Russian literature, contributors have addressed the often surprising contexts within which women's writing has been produced. Chapters reveal a flourishing literary tradition where none was thought to exist. They redraw the map defining Russia's literary periods, they look at how Russia's women writers articulated their own experience, and they reassess their relationship to the dominant male tradition. The volume is supported by extensive reference features including a bibliography and guide to writers and their works.
A Tradition of Infringement
"The Russian literary world was shaken by the wide-reaching reforms of the late Soviet period (1985-91) and the Soviet Union's subsequent collapse. During this time the phenomenon of 'alternative' literature emerged, characterized by an emphasis on thematic, structural, and linguistic transgression of both Soviet-era values and the enduring Russian tradition of civic engagement and moral edification through literature. Through close textual analysis, Adlam examines the relationship of this literary phenomenon to issues of gender and creative authority, providing detailed discussion of several of the most significant women writers of the period, among them Valeriia Narbikova, Liudmila Petrushevskaia and Nina Sadur."
Dehexing Sex
A look at women's changing roles and images in the emerging new Russian society
The Time--night
First published in Russia in 1992, The Time: Night is a darkly humorous depiction of the Soviet utopia's underbelly by one of the most brilliant stylists in contemporary Russian literature. Anna Andrianova is a trite poet and disastrous parent. Heading a household dominated by women, she can cling to the myth of the all-powerful yet suffering Russian matriarch. Challenging that myth is her headstrong daughter Alyona, a woman with appalling judgment and several illegitimate children, who both needs Anna and hates her.
Ich und der/die Andere in der russischen Literatur
Zu wem setzt sich Russland am Beginn und Ausgang des 20. Jahrhunderts in Beziehung? Auf welchen Differenzqualitäten gründet seine Identitätsbestimmung, und wer sind die Anderen in diesem Prozess? Diese Fragen standen im Mittelpunkt zweier slawistischer Kolloquien, die in den Jahren 1998 und 1999 zum Dichotomie- bzw. Alteritätsdiskurs in der russischen Literatur veranstaltet wurden. Die in diesem Band veröffentlichten Konferenzbeiträge dokumentieren Tendenzen im russischen Denken des 20. Jahrhunderts. Ihre Analyseansätze widerspiegeln die in der slawistischen Forschung aktuelle dekonstruktivistische Sicht auf das russische dichtomomische Denken, einschließlich der Entdeckung seiner nichtdichotomischen Momente. Die Rückschau wird von der Fragestellung nach der Subjektkonstitution in den jeweiligen Zeitabschnitten bestimmt, die sich von der Moderne zur Postmoderne und deren gegenwärtiger kritischer Reflexion bis hin zu einer Neudiskussion des Subjektgedankens bewegt.
Russian Cinema
Russian Cinema provides a lively and informative exploration of the film genres that developed during Russia's tumultuous history, with discussion of the work of Eisenstein, Pudovkin, Mikhalkov, Paradzhanov, Sokurov and others. The background section assesses the contribution of visual art and music, especially the work of the composers Shostakovich and Prokofev, to Russian cinema. Subsequent chapters explore a variety of topics: The literary space - the cinematic rendering of the literary text, from 'Sovietized' versions to bolder and more innovative interpretations, as well as adaptations of foreign classics The Russian film comedy looks at this perennially popular genre over the decades, ...
The New Age of Russia
Occult and esoteric ideas became deeply embedded in Russian culture long before the Bolshevik Revolution. Everyone interested in the occult and esoteric will appreciate this book, because it documents their continued importance in Russia and raises new issues for research and discussion.
