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Group exhibition: Andrews, Stephen, 1956- ; Balser, Michael ; Boudreau, Charline ; Fabo, Andy, 1953- ; Golden, Anne, 1961- ; Morris, Regan, 1957- ; Valiquette, Esther, 1962-1994.
The rich and contradictory history of Canadian cinema and video - queer, queered, and queering.
The definitive collection of essays, both original and previously published, that address the impact and influence of a century of women's film making in Canada.
This guide offers listings of some 300 Francophone women from around the world & their work. Wherever possible, entries include dates, brief biographies, descriptions & brief critical analyses.
This is the first book to comprehensively examine the development of English-Canadian cinema since 1980; previous books in English have dealt either with specific films or filmmakers, with policy, or with specific genres (avant-garde film, documentary, films by women, etc.). It deals with regional and institutional questions, with the new authors that are defining contemporary cinema in English Canada, with avant-garde work and work by Aboriginal people. Bringing together a wide variety of contributors, the book deals with an enormous amount of cinema that has helped transform North American culture of the last two decades.
John Erik Fossum explores the reasons for the federal government's intervention in the energy industry between 1973 and 1984 and shows how its initial objectives failed, culminating in the privatization of Petro-Canada in 1990.
The Encyclopedia of the Documentary Film is a fully international reference work on the history of the documentary film from the Lumière brothers' Workers Leaving the Lumière Factory (1885) to Michael Moore's Fahrenheit 911 (2004). This Encyclopedia provides a resource that critically analyzes that history in all its aspects. Not only does this Encyclopedia examine individual films and the careers of individual film makers, it also provides overview articles of national and regional documentary film history. It explains concepts and themes in the study of documentary film, the techniques used in making films, and the institutions that support their production, appreciation, and preservation.