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One of the most respected writers in the French language and best known as the author of Memoirs of Hadrian and The Abyss, Yourcenar received countless literary honors and became the first woman to be elected to the Academie Francaise. An uncompromising and intimate portrait. 50 halftones.
Presents work from within the developing framework of cultural psychology. Three sections explore the meanings of social categories, the interaction between written and visual representations and the conscious & unconscious meanings of cultural forms
An interdisciplinary quarterly.
"Although these three modernist writers were not primarily playwrights, as expatriates they were interested in the Euripidean theme of women in exile: each independently chose to rewrite Euripides' Hippolytus, a play in which the protagonist is a woman in exile whose speech, writing, and passion are deeply problematic. Each author approaches the Euripidean material in a different way: Tsvetaeva focuses on gender in language, Yourcenar explores the gendering of a self, and H.D. performs the undoing of gendered oppositions."--BOOK JACKET.
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Daughters of 1968 is the story of French feminism between 1944 and 1981, when feminism played a central political role in the history of France. The key women during this epoch were often leftists committed to a materialist critique of society and were part of a postwar tradition that produced widespread social change, revamping the workplace and laws governing everything from abortion to marriage. The May 1968 events—with their embrace of radical individualism and antiauthoritarianism—triggered a break from the past, and the women’s movement split into two strands. One became universalist and intensely activist, the other particularist and less activist, distancing itself from contemp...
French Prose in 2000 stems in some important measure from work presented in September 1998 at the International Colloquium on French and Francophone Literature in the 1990’s held at Dalhousie University. A good number of papers given at that time, and since revisited in the light of exchanges, join here certain others specifically written for the purposes of this book. Together they constitute a wide-ranging and modally varied interrogation of the current state of French and francophone prose writing, its multifaceted manners, its richly divergent fascinations, its many theoretical or philosophical groundings. The book thus ceaselessly moves its attention from fictional biography to the roman noir, from the writing of Glissant and Chamoiseau to that of the étonnants voyageurs, from the powerful discourse of women such as Chawaf or Condé, Ernaux or Germain, Sallenave or Kristeva, to that of writers as diverse in their modes as Le Clézio and Quignard, Duras and Renaud Camus. All chapters focus, however, in near-exclusive measure, on the prose production of the last ten or twelve years.
Part Are You There God, It's Me Margaret and part Taxi Driver, this creepy, unsettling, and absolutely addictive novel is at once a penetrating character study, a meditation on the zeitgeist of the '80s, and an unflinching depiction of violence, both intimate and sensational. The year was 1981. The US was entering a deep recession, Russia was our enemy, and John Hinckley, Jr.'s assassination attempt on President Ronald Reagan shocked the nation. It was also the year author Andrea Kleine learned her close childhood friend had been violently murdered by her socialite mother, Leslie DeVeau. Both events took place in Washington, DC. Hinckley and DeVeau were both sent to St. Elizabeth's hospital, guilty by reason of insanity. It was there that they met, and later became lovers. These two real-life, and ultimately converging events inspired Kleine's jaw-dropping, spine-tingling novel, CALF. Made up of dual narratives and told over the course of one year, Kleine's account follows a fictionalized John Hinckley Jr. as he stalks a young actress in the lead-up to the assassination attempt, and eleven-year-old Tammy, whose friend is murdered in her sleep.