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Father of the Poor?
This book examines the life, times, and legacy of Getúlio Vargas, Brazil's dictator and president during most of the period from 1930 to 1954. Levine's chief concern is how Vargas' legacy influenced Brazil, and to what extent his social legislation affected people's lives. Vargas ignored individual rights, working for state-regulated citizenship without disharmony, without the right to dissent. His revolution was partial; one in which new constituencies and rules were grafted onto traditional political practices. Vargas devoted as much effort to manipulating workers as he did to benefiting them. By the end of his long tenure in power, some things had hardly changed at all: the readiness of ...
Vargas of Brazil
The dominant public figure in Brazil from 1930 until 1954 was a highly contradictory and controversial personality. Getúlio Vargas, from the pampas of the southern frontier state of Rio Grande do Sul, became the dictator who ruled without ever forgetting the lower classes. Vargas was a consummate artist at politics. He climbed the political ladder through seats in the state and national legislatures to the post of federal Finance Minister and to the governorship of Rio Grande do Sul. His career then took him to the National Palace as Provisional President and as Constitutional President, and later as the dictator of his "New State." After his deposition in 1945 and a period of semiretiremen...
Vargas
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Vargas
Hardcover reprint of the original 1822 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9. No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: White, Joseph Blanco. Vargas: A Tale of Spain, Volume 2. Indiana: Repressed Publishing LLC, 2012. Original Publishing: White, Joseph Blanco. Vargas: A Tale of Spain, Volume 2. London: Baldwin, Cradock, And Joy, 1822.
The Vargas Regime
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Alberto Vargas
The pin-up girls painted in the 1940s and 1950s by Alberto Vargas are fiercely fought over by collectors. This work features a collection of Vargas paintings and drawings. It has the famous 'Varga Girls' from Playboy, as well as early works from the 1920s, watercolours rendered for Esquire, the legacy nudes, and more.
Culture Wars in Brazil
In Culture Wars in Brazil Daryle Williams analyzes the contentious politicking over the administration, meaning, and look of Brazilian culture that marked the first regime of president-dictator Getúlio Vargas (1883–1954). Examining a series of interconnected battles waged among bureaucrats, artists, intellectuals, critics, and everyday citizens over the state’s power to regulate and consecrate the field of cultural production, Williams argues that the high-stakes struggles over cultural management fought between the Revolution of 1930 and the fall of the Estado Novo dictatorship centered on the bragging rights to brasilidade—an intangible yet highly coveted sense of Brazilianness. Wil...
My Life with Mario Vargas Llosa
Living in a Paris garret with a struggling young writer who has since become a famous author was not fictional for Julia Urquidi Illanes as the wife of Mario Vargas Llosa. This English translation is an incredible but true «portrait of an artist as a young man» and of his aunt by marriage, whom he later fictionalized in Aunt Julia and the Scriptwriter. Married for 9 years, Julia typed the first of his best-selling novels, The Time of the Hero, only to be abandoned when Mario fell in love with his first cousin Patricia, who is now his second wife. Readers will find this behind the scene account of a writer nominated for the Nobel prize gives insights into the creative processes of a novelist as it relates the range of human emotions in real life.
Talking Books with Mario Vargas Llosa
This collection of essays associated with Mario Vargas Llosa’s visits to the City College of New York offers readers an opportunity to learn about his body of work through his own perspective and those of key fiction writers and literary critics.
