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Revision of the author's thesis (Ph. D.)--University of Aberdeen, 2009.
From early on, Christians passed down the account of Jesus’s agony at the prospect of his own death and his prayer that the cup should pass from him (Gethsemane). Yet, this is a troublesome aspect of Christian tradition. Jesus was committed to his death, but as it approached, he prayed for his escape, even as he submitted himself to God’s will. Ancient critics mocked Jesus and his followers for the events at Gethsemane. The ‘hero’ failed to meet the cultural standards for noble death and masculinity. As such, this story calls for further reflection and interpretation. The present book unfolds discourses from the earliest centuries of Christianity to determine what strategies were developed to come to terms with Gethsemane.
Collection of texts published previously.
Meghan Henning explores the rhetorical function of the early Christian concept of hell, drawing connections to Greek and Roman systems of education, and examining texts from the Hebrew Bible, Greek and Latin literature, the New Testament, early Christian apocalypses and patristic authors.
How do visual images from the ancient world shed light on New Testament texts? In a methodologically multifaceted manner, the contributions in this volume examine early Christian images with regard to their ancient context. Various New Testament texts (the synoptic gospels, the Johannine and Pauline corpora) are linked to ancient visual images. Various approaches in iconography are summarized and applied to the interpretation of texts, taking account of the strengths and limitations of these images, as well as possible future applications. These essays incorporate current viewpoints from archaeology and the history of art. The topics range from studies of the depictions of Christ and the disciples to the images of humans and the world. This volume provides an innovative basis for the discussion of the iconographic method and the New Testament.
Collection of essays published previously between 1995 and 2010.
Revised thesis (Ph.D.) - Southern Methodist University, 2007.
The death of Jesus and its interpretation present both exegetes and theologians with a puzzle. For Jesus himself seems to have left his followers few clues, and the story of his passion is ambivalent, embracing both his reluctant self-surrender in Gethsemane and his reproachful cry on Golgatha. Some of the various motifs and images used by his followers to explain this event were taken over by Paul despite the opposition he saw between the message of the cross and any human wisdom. Yet what meaning do two of the central themes of his soteriology, the corporate, representative role of Christ and the language of "righteousness" and "justification" hold for us today? Or does Paul offer just as little help here as Jesus himself did?
"Were the three rulers with the name "Herod" in Luke-Acts a composite character? Frank Dicken explores their narrative similarities and interprets them as a single character in light of other examples of conflation in Jewish and early Christian literature."--Provided by publisher.
Translated by Rosemary Selle The work of one of the world's foremost New Testament scholars, Ulrich Luz, this book gathers eighteen penetrating studies of Matthew's Gospel, available here in English for the first time. Luz's groundbreaking work ranges widely over the critical issues of Matthean studies, including the narrative structure and sources of the Gospel and its presentation of such themes as christology, discipleship, miracles, and Israel. Several chapters also outline and demonstrate the hermeneutical methods underlying Luz's acclaimed commentary on Matthew, for which this book can serve as a companion. Luz is particularly conscious of the Gospel's reception history, a history of interpretation connecting us with the past that determines so many of our questions, categories, and values. Studies in Matthew thus constitutes a noteworthy contribution to biblical hermeneutics as well as to exegesis.