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Double-take
In this important new anthology. Venetria K. Patton and Maureen Honey bring together a comprehensive scicction of texts from the Harlem Renalssance a key period in the literary and cultural history of the cultural life of the United States. The collection revolutionizes our way of viewing this era, as it redresses the ongoing emphasis on the male writers of this time. Double.Take offers a unique, balanced collection of writers - men and women, gay and straight, familiar and obscure. The editors have also included works from a wide variety of genres poetry, short stories, drama, essays, music, and art - allowing readers to understand the true interdisciplinary quality of this cultural movement. Biographical sketches of the authors are provided and most of the places are included in their entirely. Double.Take also includes artwork and illustrations, many of which are from periodicals and have never before been reprinted. Significantly, Double-Take is the first book to include music lyrics to illustrate the interrelation of various art forms. Arranged by author, rather than by genre, this anthology includes works from major Harlem Renaissance figures as well as often-overlooked essay
Women in Chains
2000CHOICEOutstanding Academic Title Using writers such as Harriet Wilson, Frances E. W. Harper, Pauline Hopkins, Toni Morrison, Sherley Anne Williams, and Gayl Jones, the author highlights recurring themes and the various responses of black women writers to the issues of race and gender. Time and again these writers link slavery with motherhood—their depictions of black womanhood are tied to the effects of slavery and represented through the black mother. Patton shows that both the image others have of black women as well as black women's own self image is framed and influenced by the history of slavery. This history would have us believe that female slaves were mere breeders and not mothers. However, Patton uses the mother figure as a tool to create an intriguing interdisciplinary literary analysis.
Background Readings for Teachers of American Literature
With chapters that address literary and social movements, questions of identity, the geopolitical aspects of American literature, and classroom approaches, Background Readings for Teachers of American Literature, Second Edition, provides an overview of changes in the field of American literary studies and a survey of its popular themes. The twenty-seven readings include important scholarship, critical essays, and practical ideas from working teachers. This professional resource offers support to instructors using The Bedford Anthology of American Literature.
The Grasp That Reaches Beyond the Grave
Explores Black women writers' treatment of the ancestor figure.
Octavia's Brood
Whenever we envision a world without war, without prisons, without capitalism, we are producing speculative fiction. Organizers and activists envision, and try to create, such worlds all the time. Walidah Imarisha and adrienne maree brown have brought twenty of them together in the first anthology of short stories to explore the connections between radical speculative fiction and movements for social change. The visionary tales of Octavia’s Brood span genres—sci-fi, fantasy, horror, magical realism—but all are united by an attempt to inject a healthy dose of imagination and innovation into our political practice and to try on new ways of understanding ourselves, the world around us, an...
Falling in Love with Hominids
An alluring new collection from the author of the New York Times Notable Book, Midnight Robber Nalo Hopkinson (Brown Girl in the Ring, The Salt Roads, Sister Mine) is an internationally-beloved storyteller. Hailed by the Los Angeles Times as having "an imagination that most of us would kill for," her Afro-Caribbean, Canadian, and American influences shine in truly unique stories that are filled with striking imagery, unlikely beauty, and delightful strangeness. In this long-awaited collection, Hopkinson continues to expand the boundaries of culture and imagination. Whether she is retelling The Tempest as a new Caribbean myth, filling a shopping mall with unfulfilled ghosts, or herding chickens that occasionally breathe fire, Hopkinson continues to create bold fiction that transcends boundaries and borders.
The Black Intellectual Tradition
Considering the development and ongoing influence of Black thought From 1900 to the present, people of African descent living in the United States have drawn on homegrown and diasporic minds to create a Black intellectual tradition engaged with ideas on race, racial oppression, and the world. This volume presents essays on the diverse thought behind the fight for racial justice as developed by African American artists and intellectuals; performers and protest activists; institutions and organizations; and educators and religious leaders. By including both women’s and men’s perspectives from the U.S. and the Diaspora, the essays explore the full landscape of the Black intellectual traditi...
Back Channel
October 1962. The Soviet Union has smuggled missiles into Cuba. Kennedy and Khrushchev are in the midst of a military face-off that could lead to nuclear conflagration. The only way for the two leaders to negotiate safely is to open a “back channel” by way of a clandestine emissary. The fate of the world rests unexpectedly on the shoulders of that emissary, nineteen-year-old Cornell sophomore Margo Jensen. Pursued by the hawks on both sides, and protected by nothing but her own ingenuity and courage, Margo is drawn ever more deeply into the crossfire as the clock ticks toward World War III. Stephen L. Carter’s gripping novel Back Channel is a brilliant amalgam of fact and fiction—a suspenseful reimagining of the events that became the Cuban Missile Crisis.
Debbie Doesn't Do It Anymore
Millions of men and (no doubt many) women have watched famed black porn queen Debbie Dare—she of the blond wig and blue contacts—“do it” on television and computer screens in every combination of partners and positions imaginable. But after an unexpected and thunderous on-set orgasm catches her unawares, Debbie returns home to find her porn-producer husband dead, electrocuted in their hot tub in the midst of “auditioning” an aspiring young starlet. Burdened with massive debt—incurred by her husband, and which various L.A. heavies want to collect on—Debbie must find a way to extricate herself from the peculiar subculture of the porn industry and reconcile herself to sacrifices she’s made along the way. In Debbie Doesn’t Do it Anymore, the creator of the Easy Rawlins series has painted a moving portrait of a resilient soul in search of salvation and a cure for grief.
Bodyminds Reimagined
In Bodyminds Reimagined Sami Schalk traces how black women's speculative fiction complicates the understanding of bodyminds—the intertwinement of the mental and the physical—in the context of race, gender, and (dis)ability. Bridging black feminist theory with disability studies, Schalk demonstrates that this genre's political potential lies in the authors' creation of bodyminds that transcend reality's limitations. She reads (dis)ability in neo-slave narratives by Octavia Butler (Kindred) and Phyllis Alesia Perry (Stigmata) not only as representing the literal injuries suffered under slavery, but also as a metaphor for the legacy of racial violence. The fantasy worlds in works by N. K. J...
