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Painting the Maple
The essays in this collection draw on feminist, post-colonial and cultural theory to analyze the different roles played by constructions of race and gender in shaping Canadian identity as represented in various aspects of its culture, history, politics and health care.
In Times Like These
Written in 1915 by a distinguished Canadian feminist, this book demands women's rights as a logical extension of traditional views of female moral superiority and maternal responsibility.
The New Day Recalled
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British Columbia Reconsidered
This dynamic multi-disciplinary collection moves women from the periphery to the forefront of contemporary scholarship about the province of B.C.
Radical Housewives
Radical Housewives is a history of Canada's Housewives Consumers Association. This association was a community-based women's organization with ties to the communist and social democratic left that, from 1937 until the early 1950s, led a broadly based popular movement for state control of prices and made other far-reaching demands on the state. As radical consumer activists, the Housewives engaged in gender-transgressive political activism that challenged the government to protect consumers' interests rather than just those of business while popularizing socialist solutions to the economic crises of the Great Depression and the immediate postwar years. Julie Guard's exhaustive research, including archival research and interviews with twelve former Housewives, recovers a history of women's social justice activism in an era often considered dormant and adds a Canadian dimension to the history of politicized consumerism and of politicized materialism. Radical Housewives reinterprets the view of postwar Canada as economically prosperous and reveals the left's role in the origins of the food security movement.
Contact Zones
As both colonizer and colonized (sometimes even simultaneously), women were uniquely positioned at the axis of the colonial encounter � the so-called "contact zone" � between Aboriginals and newcomers. Aboriginal women shaped identities for themselves in both worlds. By recognizing the necessity to "perform," they enchanted and educated white audiences across Canada. On the other side of the coin, newcomers imposed increasing regulation on Aboriginal women's bodies. Contact Zones provides insight into the ubiquity and persistence of colonial discourse. What bodies belonged inside the nation, who were outsiders, and who transgressed the rules � these are the questions at the heart of this provocative book.
E. Pauline Johnson, Tekahionwake
The first complete collection of all of E. Pauline Johnson's known poems, many painstakingly culled from newspapers, magazines, and archives, along with a selection of her prose, including fiction, journalism, and discussions of gender and race.
Fostering Nation?
The first comprehensive perspective on Canada's provision for marginalized youngsters from the nineteenth to the twenty-first century. It's examination of kin care, institutions, state policies, birth parents, foster parents, and foster youngsters provides ample reminder that children's welfare cannot be divorced from that of their parents and communities
Women and Peace
Originally published in 1987, this book includes contributions from scholars and peace activists in the United States, Britain, Canada, Belgium, and the German Democratic Republic. These papers present, from a number of different perspectives, the experiences of women in relation to peace in North America, Japan and Europe. The theoretical diversity and historical breadth of the collection provide a balanced and enlightened view of women and peace movements. The papers range from an important theoretical contribution by the American scholar Berenice Carroll to one on the peace movement in Japan after Hiroshima and Nagasaki by Setsuko Thurlow, a Japanese-Canadian and a Hiroshima survivor. The...
Collected Poems and Selected Prose
This collection reveals the full range of Charlotte Mew's work, showcasing the urgency and passion that compelled her to reinvent forms and prosodies to explore her complex pains and loves. With themes at the heart of feminist concerns, these poems illustrate her standing as an experimental modernist and a poet of formal precision.
