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Russian Formalist Criticism
"Some of the most important literary theory of this century."--College English Russian formalists emerged from the Russian Revolution with ideas about the independence of literature. They enjoyed that independence until Stalin shut them down. By then they had produced essays that remain among the best defenses ever written for both literature and its theory. Included here are four essays representing key points in the formalists' short history. Victor Scklovsky's pathbreaking "Art as Technique" (1917) vindicates disorder in literary style. His 1921 essay on Tristram Shandy makes that eccentric novel the centerpiece for a theory of narrative. A section from Tomashevsky's "Thematics" (1925) in...
Oral Epics of Central Asia
Originally published in 1969, this book consists of a revised version of Dr Chadwick's section on the oral literature of the Turkic peoples in The Growth of Literature with supplementary material on the results of research in the Soviet Union by Professor Victor Zhirmunsky. This literature is of the greatest interest and variety, and not excessively 'strange' to readers of European oral literature. It was produced by nomadic peoples with well-developed traditions of narrative heroic poetry. Dr Chadwick paraphrases and analyses the more important epics; and Professor Zhirmunsky adds a study on epic songs and their singers on the processes of oral transmission. This is a fascinating study that will be of particular interest to scholars of comparative literature and of the origins of literature generally; but it should also be read by anthropologists and scholars of folklore.
The Spiritual Quest
Robert Torrance's wide-ranging, innovative study argues that the spiritual quest is rooted in our biological, psychological, linguistic, and social nature. The quest is not, as most have believed, a rare mystical experience, but a frequent expression of our most basic human impulses. Shaman and scientist, medium and poet, prophet and philosopher, all venture forth in quest of visionary truths to transform and renew the world. Yet Torrance is not trying to reduce the quest to an "archetype" or "monomyth." Instead, he presents the full diversity of the quest in the myths and religious practices of tribal peoples throughout the world, from Oceania to India, Africa, Siberia, and especially the Americas. In theorizing about the quest, Torrance draws on thinkers as diverse as Bergson and Piaget, van Gennep and Turner, Pierce and Popper, Freud, Darwin, and Chomsky. This is a book that will expand our knowledge—and awareness—of a fundamental human activity in all its fascinating complexity.
Unveiling the Post-human
This electronic book gathers twenty papers presented at the 6th Global Conference Visions of Humanity in Cyberculture, Cyberspace and Science Fiction, which took place in the Mansfield College of Oxford, between the 12th and the 14th of July 2011.
Andrey Bely
Andrey Bely, novelist, essayist, theoretician, critic, and poet, was a central figure in the Russian Symbolist movement of the 1920s, the most important literary movement in Russia in this century. Bely articulated a Symbolist aesthetic and originated a new approach to the study of Russian metrics and versification, giving rise to a new scholarly discipline that still thrives in the West. Although regarded by some critics, including Vladimir Nabokov, as the author of the greatest Russian novel of this century, Bely has been nearly forgotten in his native country for ideological reasons. In the West he remains little known and generally under-valued. But with recent English translations of Kotik Letaev and his masterpiece, Petersburg, interest in Bely is increasing. Janecek's book brings together some of the best modern scholarship on Bely and the Russian Symbolist movement of the 1920s.
Alpamysh
CARRIE, a full-text electronic library based at the University of Kansas, presents the text of "Alpamysh: Central Asian Identity Under Russian Rule." H. B. Paksoy wrote the book, which was originally published in 1989. The book uses the Alpamysh as a case study regarding the treatment of the Central Asian people by the Soviet Union.
Inkworld: The Color of Revenge (The Inkheart Series, Book #4)
Vengeance awaits in the follow up to the epic, award-winning, New York Times bestselling Inkheart trilogy by internationally acclaimed author Cornelia Funke. At last, the story continues...Five years after the events of Inkdeath, Meggie, Mo, and the people of Ombra lead peaceful lives, their fires warmed by the flames of Dustfinger—the Fire-Dancer. But when Dustfinger spots Orpheus’s glass man within the gates of Ombra, a familiar restlessness begins to haunt him once more. And for good reason... The past five years have been a different story for Orpheus, who has spent his days living a meager and deprived existence, fueled only by his thirst for revenge against Dustfinger and all those who betrayed him. Now, Orpheus has found an unexpected way to seek vengeance against his greatest adversary. He has corrupted an artist to create bewitched portraits that will see the heroes fade to gray. When Dustfinger’s deepest fears come true, he’ll have to figure out whether the words still obey Orpheus. Or if he should be afraid of the pictures this time...
The Homeric Simile in Comparative Perspectives
Presenting a new take on what made the Homeric epics such successful examples of verbal artistry, this volume explores the construction of the Homeric simile and the performance of Homeric poetry from the neglected comparative perspectives offered by the study of modern-day oral traditions.
Drones, Tones, and Timbres
An indispensable study of the music of Altai-Sayan peoples Based on more than twenty years of collaborative research, Carole Pegg’s long-awaited participatory ethnography explores how Indigenous nomadic peoples of Russia’s southern Siberian republics (Altai, Khakassia, Tyva) sound multiphonies of place in a post-Soviet global world. Inspired by the mountain-steppe ecology and pathways of nomadism, soundscapes created in performative ritual events cross political and multiple-world boundaries in a shamanic-animist universe, enabling human and spirit actor interactions in a series of sensuous worlds. As with the “throat-singing” for which Indigenous Altai-Sayan peoples are famous, sens...
Mythic Paradigms in Literature, Philosophy, and the Arts
Mythic Paradigms in Literature, Philosophy, and the Arts approaches literary and visual texts from the perspective of Hesperian identification and representation. Included is the first translation into English of Fichte's Supplement of 1801, a document whose content sheds light not only on the atheism controversy of the 1790s, but also on literary/philosophical polarizations in the «Republic of Letters». Condensed from the Hesperian atmospherics of Italy and Latin elegy, Faust II entails a Goethean celebration of auditory and visual sensation. In a text devoted to Shelley, Gregory Corso is seen elaborating a prosopopoeia involving Hypnos, god of sleep, a figure dispelling the effects of reading - the hypnoticon. Eisenhauer reads Hölderlin in the context of Pindar, philosophical idealism, and autobiographical projection.
