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Mother Jones Magazine
Mother Jones is an award-winning national magazine widely respected for its groundbreaking investigative reporting and coverage of sustainability and environmental issues.
The Proven God
Philosophers, scientists and Atheists seem to have a tendency toward avoiding God in positing their premises. However, Divine Law should not be excluded from analysis. In actuality, God And The Bible have played more of a role in the education and development of the minds of major thinkers than you might think. In the Proven God, Balderston suggests that the Big Bang Theory and other scientific and philosophical conventions are influenced by the Divine, and indicative of the Truth: God is real. Denial of God too often reigns supreme, and For The wrong reasons. Through an exploration of the centuries' greatest thinkers, eyes will open To The farce that is a reality without God, who is the cau...
The Trial
Required Reading In the book publishing tradition of preserving the full record of significant events and documents, THE TRIAL presents the significant day-by-day antitrust trial coverage and insider analysis from Publishers Lunch with an edited version of the full public testimony and all of the key pre- and post-trial documents and filings.
D.H. Lawrence's Border Crossing
First Published in 2007. Routledge is an imprint of Taylor & Francis, an informa company.
Gods, Heroes, & Kings
The islands of Britain have been a crossroads of gods, heroes, and kings-those of flesh as well as those of myth-for thousands of years. Successive waves of invasion brought distinctive legends, rites, and beliefs. The ancient Celts displaced earlier indigenous peoples, only to find themselves displaced in turn by the Romans, who then abandoned the islands to Germanic tribes, a people themselves nearly overcome in time by an influx of Scandinavians. With each wave of invaders came a battle for the mythic mind of the Isles as the newcomer's belief system met with the existing systems of gods, legends, and myths. In Gods, Heroes, and Kings, medievalist Christopher Fee and veteran myth scholar ...
Nobel Writers on Writing
When in 1901 Alfred Nobel bequeathed to the world the funds to support the Nobel Prize, one of his few directives for the category of literature was that the artists selected be of "idealistic tendency." Since its inception, the prize has given a very public voice to some of the world's greatest writers, and their responses to the honor-their acceptance speeches-have themselves often been epochal within each author's body of literature. From the famed call to "arms" by William Faulkner to the multicultural song of Derek Walcott, from 1903's Bjørnstjerne Bjørnson to 1999's Günter Grass, this collection traces the ideals of the artists and the selection committee itself throughout the entir...
Steinbeck and the Environment
Exciting new essays provide an important model for ecological criticism and an enriched appreciation of the Steinbeck canon.
The Still Performance
The Still Performance examines the poetry of five postmodern American poets: Elizabeth Bishop, John Ashberry, Adrienne Rich, W.S. Merwin, and Charles Wright. McCorkle devotes a chapter to each one of these five poets and provides an extensive overview of their poetics. The author concludes that postmodern poetry, and these poets in particular, are engaged in various but overlapping reappraisals of modernism. More importantly, he asserts the necessity of critical inquiry bound to the persistent act of self-examination.
Kerouac
This authoritative biography of writer, poet, and beat generation icon Jack Kerouac (1922-1969) recounts in gripping detail the story of his exceptional life and the key relationships that affected Kerouac's development as an artist, including those with his three wives, numerous girlfriends, and beloved mother. Kerouac presents a fresh and more accurate account of the author of On the Road, one that neither ignores nor wallows in his flaws.
Graham Greene
This study reveals Greene in a dual role as author, one who projects literary experience into his view of life and subsequently projects both his experience and its "literary" interpretation into his fiction; and it defines two phases of Greenes novels through the changing relationship between writer and protagonists. The first phase progresses from acutely sensitive, self-divided young men somewhat like the young Greene to embittered, alienated characters ostensibly at great distance from their creator. The second phase (1939) includes a series of "portraits of the artist" through which Greene confronts more directly the tensions and conflicts of his private life.
