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A Visual Language
A Visual Language is a practical introduction to the language of the visual arts, with a strong, innovative methodology. This expanded second edition begins with the basics of shape, composition and drawing, and gradually moves on to explore more complex arrangements, including abstract and representational analysis and composition. Building on the principles of visual language established in their last book, the authors now explore three-dimensional forms of increasing complexity. The final chapter of the book is devoted to a selection of sketchbook studies on ten international artists from various different visual disciplines, from architects and animators to painters and performance artists. This section demonstrates practically the methods presented earlier in the book, and helps visual artists to develop skills and confidence in their artistic work. Featuring a large number of new images, this book is essential reading for any artist in any field, regardless of their level, and is the only introduction to the visual arts that a beginner should require.
Studies in Late Medieval Wall Paintings, Manuscript Illuminations, and Texts
This volume is an interdisciplinary consideration of late medieval art and texts, falling into two parts: first, the iconography and context of the great Doom wall painting over the tower arch at Holy Trinity Church, Coventry, and second, Carthusian studies treating fragmentary wall paintings in the Carthusian monastery near Coventry; the devotional images in the Carthusian Miscellany; and meditation for “simple souls” in the Carthusian Nicholas Love’s Mirror of the Blessed Life of Jesus Christ. Emphasis is on such aspects as memory, participative theology, devotional images, meditative practice, and techniques of constructing patterns of sacred imagery.
John Cage
Art. Music. Cultural Writing. JOHN CAGE VISUAL ART is an exquisite book which includes 116 color images. It is presented in three parts. The first is a text wrtten from Kathan Brown's own experience. In it, she often uses Cage's words to describe particular works, and she reflects upon how the art can be used in the world. The second part is a detailed section that illustrates scores that Cage created for his printers, and explains his use of what he called chance operations in making his work. The third section is pictorial, including reproductions of Cage's prints, watercolors and drawings. John Cage told Brown that the purpose of art is to sober and quiet the mind, so that it is in accord with what happens.
Slow Painting
The abundance of images in our everyday lives-and the speed at which they are consumed-seems to have left us unable to critique them. To rectify this situation, artists such as Daniel Richter, Jaune Quick-to-See Smith, and Artur Zmijewski have demonstrated that painting is brilliantly equipped to produce 'slow images' that enable, encourage and reward reflection. In this book, Helen Westgeest attempts to understand how various forms of slow painting can be used as tools to interrogate the visual mediations we encounter daily. Painting was expected to disappear in the digital age but, through interactive painting performances and painting-like manipulated photographs and videos, Westgeest shows how photography, video and new media art have themselves developed the visual strategies that painting had already mastered. Moreover, the fleeting nature of digital mass media appears to have unlocked a desire for more physically stable and enduring pictures, like paintings. Slow Painting charts how, in a world where the constant quest for speed can leave us exhausted, the appeal of this 'slower medium' has only grown.
Commonwealth Universities Yearbook
A directory to the universities of the Commonwealth and the handbook of their association.
The ArtSlut's Guide to Makin' It ~As a Visual Artist
An ArtSlut loves the arts indiscriminately. Everybody does something creative & the ArtSlut¿s Easy Guides offer tons of practical advice on makin¿ your ArtSlutty dreams come true! Written by Barb Benson - lifelong artist, former gallery owner & nude model, `The ArtSlut¿s Guide to Makin It ~As A Visual Artist¿ tells the secrets they forget to mention in art school. It¿s a fast paced, informative read that will inspire, educate & make you laugh `yer butt off!
Visual Arts Handbook
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Electronic Art
Computers are more and more becoming creative tools in music as well as in the visual arts and design. In the last few years, it has become clear that digital technology provides a platform for multimedia productions as well as a medium for new art forms. Computer Music and Computer Graphics & Animation have their own international forums. The need was felt, however, to bring together the diverse disciplines within art and technology in one international event - the First International Symposium on Electronic Art (FISEA). The Symposium attracted considerable interest and hundreds of papers and proposals were submitted, of which a selection were accepted. This book, also published as a supplement to the journal Leonardo, publishes 20 of these selected papers under the editorship of Wim van der Plas, Ton Hokken and Johan den Biggelaar. This richly illustrated issue on Electronic Art reflects the enormous international interest which FISEA generated and will further stimulate interest in applications of new technology in music, visual arts and design.
Art-union
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