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"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning ...
The sudden demise of one of modern Indias most beloved sons, the Tamil Nadu Chief Minister MGR, who wars part of the national mainstream for many long years, creates a void difficult to fill not only in the State, but also in the ocuntrys political scene.
Brings Out The Role Of Broadcasting Media And How It Can Be Effectively Used For In Fluencing Tribal And Rural Mass In The Southern Plateau Region Of Jharkhand. Has Eight Chapters-The Best Containing Fundings.
None of these painters was motivated solely by mystical concerns; each of them also painted works which were of a secular or non-spiritual nature. None the less, they were all deeply interested in and concerned about matters mystical. Through a careful examination of the primary documentation Ann Davis looks at the sources of their beliefs in Christianity, transcendentalism, and theosophy and theories of the fourth dimension, and attempts to put some of their major works into new contexts so that familiar paintings can be seen in a new and revealing mystical way.
When Naser al-Din Shah, who ruled Iran from 1848 to 1896, claimed the title Shadow of God on Earth, his authority rested on premodern conceptions of sacred kingship. By 1941, when Mohammad Reza Shah Pahlavi came to power, his claim to authority as the Shah of Iran was infused with the language of modern nationalism. In short, between roughly 1870 and 1940, Iran's traditional monarchy was forged into a modern nation-state. In Nationalizing Iran, Afshin Marashi explores the changes that made possible this transformation of Iran into a social abstraction in which notions of state, society, and culture converged. He follows Naser al-Din Shah on a tour of Europe in 1873 that led to his importing ...
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No reino de Narices hai un enorme pazo con vidreiras de cebola, paredes de pedra de azucre, tellados de cenoria e xardíns de pirixel. No pazo de Narices hai moito tempo naceu un príncipe moi chorón e moi mal comellón, que acababa coa paciencia do máis pintado. O día que fixo os sete anos organizouse unha festa na que lle fixeron sete potas de comida e abrindo a tapadeira dunha delas berrou: ¡Macarrón con tomate! ¡Que ninguén mo arrebate!