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Os cartazes desta história
Este livro busca contribuir para o resgate da memória do Brasil. A obra representa um documento histórico, tendo um papel junto à sociedade, uma vez que a memória é essencial na formação da identidade cultural individual e coletiva. Além de textos assinados por Vladimir Sacchetta, José Luiz Del Roio e Ricardo Carvalho, neste livro estão reunidos 243 cartazes, muitos feitos no exterior, com mensagens contra os militares brasileiros. Durante todo o tempo de exílio, o brasileiro e militante político José Luiz Del Roio não parou de lutar contra o golpe militar de 1964, recolhendo fragmentos da história do Brasil, tornando-se um testemunho vivo.
The Unpast
The Unpast: Elite Violence and Social Control in Brazil, 1954-2000 documents that the brutal methods used on plantations led directly to the phenomenon of Brazilian death squads.
Brazilian Communism, 1935-1945
The Brazilian Communist Party was one of the largest Communist parties in Latin America until its split and dissolution in the 1990s. Although not granted legal status as a political party of Brazil until 1985, the Partido Comunista Brasileiro (PCB) has been tolerated by that country's regime. Such governmental tolerance of the PCB was not always the case. In the past, the regime of Getúlio Vargas practiced savage forms of repression against Brazilian leftists, whose "Red extremism" was cited by both government leaders and the press as sufficient cause for Vargas' adoption of the most extreme measures. Brazilian Communism, 1935–1945 is an objective and remarkably comprehensive account of ...
The House, the World, and the Theatre
The House, the World, and the Theatre departs from three ideologically resonant spatial metaphors to explore key aspects of nineteenth-century literature and culture. At the centre of the discussion is the way authors fashioned themselves to cater to ever-expanding audiences and to the new conditions of publishing. The prefaces of Hawthorne, Dickens, and James illustrate the conflicts underlying the new forms of self-definition in the nineteenth century and mediate the perception of authorship as a category that blurs the boundaries between social life and performance. This book combines genre criticism, new historicism, literary history, and contemporary perspectives in readings that show the imaginative quality of prefatory writing and the enduring relevance of canonical authors in the twenty-first century.
Translation, Adaptation and Digital Media
Adaptation has always been central to Translation Studies, and, as print media becomes less and less dominant, and new media become central to communication, Adaptation is more than ever a vital area of Translation and Translation Studies. In addition, links to new digital media are examined. This is the only user-friendly textbook covering the full area of Translation, Adaptation, and Digital Media applicable to any language combination. Divided into nine chapters, it includes a wide range of texts from Brazilian culture, ensuring an ex-centric view of translation. Each chapter contains an expository section, case studies, and student activities to support learning. It emphasises the central role of Adaptation in the translation of works for the popular book market, for theatre, cinema, radio, and, especially, the new media. This is the essential textbook for students in Translation and Adaptation Studies courses and instructors and professionals working on adaptation and transmedia projects.
A imagem e o gesto
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Entranced Earth
A sweeping analysis of the lasting effects of neocolonial extractivism in Latin American aesthetic modernity from 1920 to the present Looking to the extractive frontier as a focal point of Latin American art, literature, music, and film, Jens Andermann asks what emerges at the other end of landscape. Art in the Global South has long represented and interrogated “insurgent nature”—organic and inorganic matter, human and nonhuman life, thrown into turmoil. In Entranced Earth: Art, Extractivism, and the End of Landscape, Andermann traces the impact of despaisamiento—world-destroying un-landscaping—throughout the Latin American modernist archive. At the same time, he explores innovative, resilient modes of allyship forged between diverse actors through their shared experiences of destruction. From the literary regionalism of the 1930s to contemporary bio art, from modernist garden architecture to representations of migration and displacement in sound art and film, Entranced Earth tracks the crisis of landscape and environmental exhaustion beyond despair toward speculative, experimental forms of survival.
Cultural Space and Theatrical Conventions in the Works of Oduvaldo Vianna Filho
In his work he constantly appraised his own dramatic development and the potential of his theatrical activity, in light of cultural and political possibilities, to affect social change.
Lula
Lula is among the greatest political figures in Brazilian history. The only president in the country with a working-class background, combined with a party that was profoundly original in its roots, he exercised charismatic power and influence in a more lasting way than any other public figure in the republican period. Since 2011, Fernando Morais, one of Brazil's leading writers, has gained direct, frank and frequent access to Lula. To these dozens of hours of testimonies, he has added a reporter's flair and captivating prose to compose a biography that paints a picture in all its grandeur and complexity. In a narrative that makes use of flashforwards and flashbacks to maintain an electrifying pace, Morais goes from Lula's childhood to the annulment of his convictions, in 2021 - passing through the new unionism, the ABC strikes, the foundation of the PT and the first election campaign.
One of the Forgotten Things
Examines the legend of Brazilian President Getulio Dornelles Vargas, the tale uncovered by the first civilian to spend fourteen months in the secret police archives of Rio de Janeiro.
