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"Something Has Gone Crack"
"Something has gone crack," Tolkien wrote about the first death among his tight-knit fellowship of friends in 1916, and the impact of the war haunted his writing for the rest of his life. In his work, the Great War serves as a source of imagery, motifs, themes and of personal trauma to be worked out in meaningful symbolic form throughout his life.
Roots and Branches
Professor Tom Shippey is best known for his books 'The Road to Middle-earth' and 'J.R.R. Tolkien. Author of the Century'. Yet they are not the only contributions of his to Tolkien studies. Over the years, he has written and lectured widely on Tolkien-related topics. Unfortunately, many of his essays, though still topical, are no longer available. The current volume unites for the first time a selection of his older essays together with some new, as yet unpublished articles.
The Gallant Edith Bratt
Edith Bratt's story reveals a gallant heroine suffering under "The Shadow of the Past." New research finds a independent and strong woman who was John Ronald's equal, muse, anchor of stability in the present, and hope for the future.
Middle-earth, Or There and Back Again
The world of Tolkien's imagination is a virtually boundless universe, one in which multiple layers of cultural heritage revolve around his enduring passion for storytelling, fascination with languages and devotion to the Catholic faith. In effect, much of his fiction is an eclectic, though, at the same time, remarkably coherent, mixture in which certain elements of the old lore appear to be constantly reinvented, reimagined and reinterpreted to suit the tastes of the Professor's readers and listeners. It is a constant mediation between the world of the past (ancient, medieval or other) and the world in which he lived, an informed dialogue tinted by the writer's personal convictions and belie...
Inside Language
Tolkien's views on language, though never published as a formalised theory, were in some aspects rather 'heretic' (to use Tom Shippey's term) and seemed to fly into the face of 'established' linguistic theory - most notably his conception of 'native (hereditary) language' and, related to it, the idea of 'linguistic aesthetic' and 'phonetic fitness'. Unfortunately, this aspect of Tolkien's linguistic work has, as yet, not received the attention it deserves and Ross Smith is one of the first Tolkien scholars to investigate the question of Tolkien's position on language vis-a-vis the then (and even now) dominant tenet(s) in some depth. This is a second, revised edition.
Tolkien and the Classical World
While scholars have often cited the influence of medieval texts and society on J.R.R. Tolkien's seminal fantasy creations, the role of the classical world - the literature and thought of ancient Greece and Rome - has received far less attention. This volume of essays explores various ways in which Tolkien's literary creations were shaped by classical epic, myth, poetry, history, philosophy, drama, and language. In making such connections, the contributors to this volume are interested not simply in source-hunting but in how a reception of the classical world can shape the meaning we derive from Tolkien's masterworks. The contributions to this volume by Philip Burton, Lukasz Neubauer, Giuseppe Pezzini, Benjamin Eldon Stevens, Graham Shipley, and several other scholars should pave the way for further discussions between classical studies and fantasy studies.
Tolkien and Wagner
Tolkien famously rejected comparison of his Ring with Wagner's, though there is good evidence that Tolkien knew much more about Der Ring des Nibelungen than he let on after the publication of The Lord of the Rings. Analysis of that work from a Wagnerian point of view enables consideration of it in a new way. By exploring the parallels between Wagner's Ring and Tolkien's, a fresh interpretation of Tolkien's work emerges, one that hinges on associating Gandalf with Wotan. Like Wagner's god, Gandalf has to find a way of solving the problems posed by the Ring and like Wotan he cannot succeed without other people. When the plots of The Lord of the Rings (and The Hobbit) are examined in this way it becomes apparent how much they owe to Wagner's music-drama, and the role of Gandalf is opened to new explanation.
Like a Tree, Walking
Shortlisted for the 2022 Jhalak Prize The Poetry Book Society Winter Choice 2021 Vahni Capildeo's Like a Tree, Walking is a fresh departure, even for this famously innovative poet. Taking its title from a story of sight miraculously regained, this book draws on Capildeo's interest in ecopoetics and silence. Many pieces originate in specific places, from nocturnes and lullabies in hilly Port of Spain to 'stillness exercises' recording microenvironments – emotional and aural – around English trees. These journeys offer a configuration of the political that makes a space for new kinds of address, declaration and relation. Capildeo takes guidance from vernacular traditions of sensitivity ranging from Thomas A Clark and Iain Crichton Smith to the participants in a Leeds libraries project on the Windrush. Like a Tree, Walking is finally a book defined by how it writes love.
Tolkien's The Lord of the Rings
In the year after his graduation from Exeter College, Oxford, the great mythopoeic work for which he would become famous was already germinating in Tolkien's mind. In August 2006 the College offered a week of seminars and papers by leading international specialists on Tolkien's Exeter years, the influence of the Great War, the healing power of his narrative, and its relevance to religious and linguistic studies, comparative mythology, and history. Priscilla Tolkien, C.S. Lewis's secretary and friend Walter Hooper, Tolkien's friend the Jesuit priest Robert Murray SJ, and grandson Simon Tolkien attended as special guests, representing the family and those who knew Tolkien personally. The confe...
Laughter in Middle-earth
"It is precisely against the darkness of the world that comedy arises, and it is best when that is not hidden." JRRT to R. Unwin Just like Tolkien's first reviewer, academic studies have tended to overlook the presence of humour in Tolkien's work and the effect of his work to inspire humour. This volume more than compensates for this oversight.
